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01 |
I. Allegro Vivace |
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13:12 |
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02 |
Ii. Andante |
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06:46 |
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03 |
Iii. Scherzo. Presto |
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03:49 |
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04 |
Iv. Tema. Andantino (Theme And Variations) |
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07:35 |
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05 |
V. Finale. Allegro Giusto |
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05:54 |
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06 |
I. Allegro Ma Non Troppo |
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14:22 |
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07 |
Ii. Andante |
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07:06 |
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08 |
Iii. Menuetto. Allegretto |
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06:59 |
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09 |
Iv. Allegro Moderato |
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07:21 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80225 |
|
| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80225 |
| Packaging |
Jewel Case |
| Recording Date |
6/15/1990 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Franz Schubert (1797 - 1828) |
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Companies, etc.
Manufactured By – Digital Audio Disc Corp. – Mechanics Hall
Recorded At – Mechanics Hall, Worcester, MA
Credits
Art Direction – Ray Kirschensteiner
Cello – Paul Katz (2)
Composed By – Franz Schubert
Double Bass – James VanDemark (tracks: 1 to 5)
Edited By – Everett Porter, Henk Kooistra
Engineer – Jack Renner
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Piano – John O'Conor (tracks: 1 to 5)
Producer – James Mallinson
Producer [Assistance] – Elaine Martone
Technician [Assistance] – Henk Kooistra, John Servies
Viola – James Dunham
Violin – Peter Salaff (tracks: 6 to 8), William Preucil
Notes
Total Playing Time: 72:55
**** Technical Information ****
Recorded in Mechanics Hall, Worcester, Massachusetts on June 12-15, 1990.
Microphones: Schoeps M221B Tube Models
Digital Recording Processor: dbx/CTI 18-Bit, 128 times oversampling A/D
Console: Studer 961
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifier: Threshold Model S/1000 Stasis, Class A/AB
Interconnecting Cables: The signal path utilized the latest cable technology from Monster Cable, including M1000, Series I Proling and Series III Prolink bandwidth balanced and Livewire Speaker Cable.
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Lexicon Opus
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, equalization) at any step during production.