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01 |
The Firebird, Ste: Intro/Firebird And Her Dance/Round Dance Of The Princesses/Infernal Dance... |
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Introduction 2:50 (0:00)
Firebird & Her Dance 1:28 (2:50)
Round Dance of the Princesses 4:30
(4:19)
Infernal Dance of King Kastchei 4:24
(8:49)
Berceuse 3:06 (13:13)
Finale 2:56 (16:20) |
19:21 |
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02 |
Petrushka: Tableau I. The Shrovetide Fair/Tableau II. In Petrushka's Room/Tableau III. In The... |
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The Shrovetide Fair 9:31 (0:00)
In Petrushka's Room 4:21 (9:31)
In the Moor's Room 6:21 (13:52)
The Shrovetide Fair (Evening) 13:06
(20:14) |
33:33 |
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03 |
Fireworks, Op.4 |
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03:47 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80270 |
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| Studio |
Joseph Meyerhoff Symphony Hall, Baltimore |
| Catalog |
CD-80270 |
| Packaging |
Jewel Case |
| Recording Date |
3/7/1991 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Igor Stravinsky (1882 - 1971) |
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Companies, etc.
Manufactured By – Digital Audio Disc Corp.
Recorded At – Joseph Meyerhoff Symphony Hall
Credits
Art Direction – Ray Kirschensteiner
Art Direction [Cover] – Anida Carrasquillo
Composed By – Igor Stravinsky
Conductor – David Zinman
Design [Cover] – Scott Pipitone
Edited By – Rosalind Ilett
Engineer – Michael Bishop
Orchestra – Baltimore Symphony Orchestra
Producer – Robert Woods (2)
Producer [Supervisior] – Elaine Martone
Notes
Recorded in Joseph Meyerhoff Symphony Hall, Baltimore, Maryland, March 6-7, 1991
Microphones: Firebird: Schoeps MK-2L, MK-21, MK-3
Petrushka & Fireworks: Schoeps MK-2L, Sennheiser MKH-40
Console: Neotek Series I custon wired with Monster Cable
Digital Recording Processor: Ultra Analog 18 Bit, 128 times oversampling A/D, custom built by Kenneth Hamann
Monitoring: Madrigal Audio Labs Proceed PDP D/A
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifiers: Threshold SA/12e Stasis, Pure Class A
The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[Sigma]2, Series I Prolink and Series III Prolink bandwidth balanced
Exclusive Control Room and Stage Acoustic Treatment: RPG Abffusors & Diffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, equalization) at any step during production.
Special thanks to Dr. Peter D'Antonio, RPG Diffusor System, Inc.
