01	I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito						19:44
	02	Ii. Andantino Semplice-Prestissiom-Tempo I						07:15
	03	Iii. Allegro Con Fucco						06:39
	04	Rhaposody On A Theme Of Paganini, Op. 43						23:24

Companies, etc.

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Digital Audio Disc Corp.
Pressed By – Sony DADC – A0000091978-0101
Recorded At – Joseph Meyerhoff Symphony Hall
Published By – Belwin-Mills Publishing Corp.

Credits

Art Direction – Ray Kirschensteiner
Composed By – Pyotr Ilyich Tchaikovsky (tracks: 1 to 3), Sergei Vasilyevich Rachmaninoff (tracks: 4)
Conductor – David Zinman
Cover [Graphics] – Nottingham-Spirk Design Associates, Inc.
Edited By – Rosalind Ilett
Engineer – Jack Renner
Liner Notes [English] – David Loebel
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Orchestra – Baltimore Symphony Orchestra
Piano – Horacio Gutiérrez
Producer – Robert Woods (2)
Producer [Assistance] – Elaine Martone
Technician [Assistance] – Michael Bishop

Notes
Total Playing Time: 56:58

Track 4 published by Belwin Mills Music Publishing (ASCAP).
Steinway Piano

*** Technical Information ***

Recorded in Joseph Mayerhoff Symphony Hall, Baltimore, Maryland on January 22 & 23, 1990
Microphones: Schoeps MK-2 Linear, MK-21, Sennheiser MKH-50
Digital Recording Processor: dbx/CTI 18-Bit, 128 times oversampling A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Power Amplifiers: Threshold Model SA/12e Stasis; Pure Class A

The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[sigma]2, Series I Prolink and Series III Prolink bandwidth balanced.

Control Room Acoutstic Treatment: Sonex from illbruck/usa; Soundex from Monster Cable; Tube Type by ASC; RPG Diffusors & Abffusors (also used on concert hall stage)

Digital Editing: Sony DAE 3000

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to Dr. Peter D'Antonio, RPG Diffusor Systems, Inc.