01	Italian Concerto, BWV 971 - Allegro	J.S. Bach • Don Dorsey					03:36
	02	Italian Concerto, BWV 971 - Andante	J.S. Bach • Don Dorsey					05:47
	03	Italian Concerto, BWV 971 - Presto	J.S. Bach • Don Dorsey					03:29
	04	Two Part Invention No. 1 In C Major BWV 772	J.S. Bach • Don Dorsey					01:40
	05	Three-Part Invention No. 1 In C Major BWV 787	J.S. Bach • Don Dorsey					00:54
	06	Two-Part Invention No. 8 In F Major BWV 779	J.S. Bach • Don Dorsey					00:54
	07	Three-Part Invention No. 8 In F Major BWV 794	J.S. Bach • Don Dorsey					01:05
	08	Two-Part Invention No. 10 In G Major BWV 781	J.S. Bach • Don Dorsey					00:44
	09	Three-Part Invention No. 10 In G Major BWV 796	J.S. Bach • Don Dorsey					01:02
	10	Two-Part Invention No. 12 In A Major BWV 783	J.S. Bach • Don Dorsey					01:05
	11	Three-Part Invention No. 12 In A Major BWV 798	J.S. Bach • Don Dorsey					01:19
	12	Two-Part Invention No. 15 In B Minor BWV 786	J.S. Bach • Don Dorsey					01:03
	13	Three-Part Invention No. 15 In B Minor BWV 801	J.S. Bach • Don Dorsey					01:12
	14	Diverse Kanons BWV 1087 - On the first eight notes of the Aria ground from the Goldberg Variations - Kanon simplex - All´roverscio - Beede vorigen Kanons zugleich, Motu recto e contrario - Motu contrario e recto - Kanon duplex, a 4 - usw.	J.S. Bach • Don Dorsey					07:46
	15	Toccata & Fugue In D Minor (Toccata), BWV 565	J.S. Bach • Don Dorsey					03:08
	16	Toccata & Fugue In D Minor (Fugue)	J.S. Bach • Don Dorsey					05:50
	17	Jesu, Joy Of Man's Desiring aus der Kantate 147	J.S. Bach • Don Dorsey					06:12

Credits

Art Direction – Ray Kirschensteiner
Composed By – Johann Sebastian Bach
Cover – DesignWyse
Edited By, Producer [Production Assistance] – Elaine Martone
Engineer [Mixes Transfered In The Digital Domain] – Mike Ellis
Executive-Producer – Robert Woods (2)
Mixed By [Mixdown Engineer] – Paul Freeman
Producer, Engineer, Arranged By – Don Dorsey

Technical Data

Recorded at home, Anaheim, California July-October, 1985
Microphones: None
All synthesizer outputs were fed directly into a Mitsubishi X-800 digital 32-track machine. No signal processing was used.
Monitoring system consisted of two Audioforce 16 X 2 Location Mixers, Rogersound Labs 3300 speakers, Kenwood amplifiers and Lexicon 200 digital reverb.
Custom cables by Audioforce, Inc. and Fugit Electronics
Custom MIDI (Musical Instrument Digital Interface) software provided by Digital Music Service.

Mixed at Paramount Recorders, Hollywood, California
Console: Harrison 4032, modified, Allison automation assisted
Recorder: Mitsubishi X-80 digital 2-track
Mixes transferred in the digital domain from Mitsubishi to Sony 1610 format by Mike Ellis at Digital Audio Disc Corporation.

Music Equipment:
Synclavier Digital Music System
Yamaha DX-7 and TX-816 synthesizers, QX-1 sequencer and RX-11 drum machine
Roland MKS-80 synthesizer
Oberheim XP-1 synthesizer

Synchronization and auxiliary equipment:
Garfield Dr. Click I, Mini-Doc
J.L. Cooper Electronics MSB-II digital MIDI patchbay
Roland SDE-3000 digital delay
Apple II+ computer