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01 |
No 4 In D - Ouverture |
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07:17 |
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02 |
Bourrée |
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02:25 |
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03 |
Gavotte |
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01:48 |
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04 |
Menuet I & II |
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03:37 |
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05 |
Rejouissance |
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02:33 |
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06 |
No 1 In C - Ouverture |
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05:31 |
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07 |
Courante |
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02:05 |
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08 |
Gavotte I & II |
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02:58 |
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09 |
Forlane |
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01:25 |
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10 |
Menuet I & II |
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02:59 |
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11 |
Bourrée I & II |
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02:16 |
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12 |
Passepied I & II |
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02:50 |
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13 |
No 3 In D - Ouverture |
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06:13 |
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14 |
Air |
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04:44 |
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15 |
Gavotte I & II |
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03:21 |
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16 |
Bourrée |
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01:15 |
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17 |
Gigue |
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02:44 |
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18 |
No 2 In B - Ouverture |
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06:01 |
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19 |
Rondeau |
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01:50 |
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20 |
Sarabande |
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02:12 |
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21 |
Bourrée I & II |
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01:49 |
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22 |
Polonaise. Double |
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02:57 |
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23 |
Menuet |
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01:12 |
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24 |
Badinerie |
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01:31 |
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| Cost |
$8.00 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80619 |
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| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80619 |
| Packaging |
Jewel Case |
| Recording Date |
9/26/2003 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Johann Sebastian Bach (1685 - 1750) |
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Credits
Art Direction – Anilda Carrasquillo
Composed By – Johann Sebastian Bach
Conductor, Liner Notes – Martin Pearlman
Design – Jim Burt
Engineer – Jack Renner, Robert Friedrich (4)
Engineer [Assistant] – James Yates*
Executive-Producer – Robert Woods (2)
Flute – Christopher Krueger (tracks: 18 to 24)
Orchestra – Boston Baroque
Photography By [Orchestra] – Julian Bullitt
Producer, Edited By – Thomas C. Moore
Technician [Harpsichord Preperation] – Barbara Pease Renner*
Notes
Total Playing Time: 73:32
Performed on Period Instruments
*** Technical Information ***
Recorded in Mechanics Hall, Worcester, Massachusetts, September 24-26, 2003
Microphones: Sennheiser MKH-800, MKH-50; Schoeps MK-21, MK-41, MK-2H; Neumann KU-100
On-Stage Microphone Preamplifiers: Millennia Media HV-3D
Console: Studer 962
Interconnecting Cables: Music Interface Technologies (MIT) Proline with Ballanced Terminators and MH-750 CVT Shotgun Terminators; Monster Cable Series 1 and 3 Prolink.
Digital Recording Processor: Sony/Philips Direct Stream Digital with ADC and DAC custom engineered by Ed Meitner, EMM Labs.
Power Amplifiers: Threshold SA/4e Pure Class A and S/1000 Class A/B Stasis
Monitor Speakers: Waveform MC Surround System by Waveform Inc.
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editor: Sonoma DSD
This CD was recorded using the Direct Stream Digital™ recording system. DSD is a new and improved method of converting music into the digital domain, sampling at 2.8224 mHz. This results in a frequency response from 0 Hz to beyond 100 kHz, and a dynamic range greater than 120 dB. Much of the added resolution afforded by the DSD process is retained in standard CD production by using a dedicated DSD conversion processor.
Direct Stream Digital™ is a trademark of Sony and Philips.
Special thanks to David Kawakami, Gus Skinas, and Tracy Martinson of the Sony Super Audio CD project; Joseph Chilorio, Mechanics Hall Productions; and to Bruce Leek.
