01	Prelude And Fugue In C Major ('Fanfare') Bwv 531						07:15
	02	Prelude And Fugue In G Minor, Bwv 535						08:47
	03	Concerto No. 1 In G Major Nach Prince Ernst, Bwv 592						07:49
	04	Prelude And Fugue In D Minor ('Fiddle'), Bwv 539						07:54
	05	Fantasia In G Major, Bwv 572						11:18
	06	Prelude In C Major, Bwv 567						01:22
	07	Fugue In G Minor ('Little'), Bwv 578						04:29
	08	Canzona In D Minor, Bwv 588						07:12
	09	In Dulci Jubilo, Bwv 751						02:13

Credits

Art Direction – Ray Kirschensteiner
Design [Cover] – Nottingham-Spirk Design Associates, Inc.
Edited By – Rosalind Ilett
Engineer [Recording] – Robert Woods (2)
Other [Technical Assistance] – John Renner, Kajo Paukert, Michael Biship
Photography By [Cover] – Michael Bishop
Producer [Recording] – Elaine Martone

Notes
Total Playing Time: 58:17

Recorded at the College of St. Thomas, St. Paul Minnesota, on June 14 and 15, 1988

Microphones: Sennheiser MKH-20
Digital Recording Processor: Sony 1610
Console: Neotek, custom built
Monitor Speakers: ADS Model 1530

The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, Series I Prolink and Series III Prolink bandwidth balanced.

Control Room Acoustic Treatment: Sonex from illbruck/usa
Soundex from Monster Cable

Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production

Special thanks to Gabriel Kney, James Callahan and J. Michael Barone.