01	Opening Sequence	Michael Bishop					00:50
	02	Overture to the Phantom of the Opera			Robert Muckenfuss, organ			02:14
	03	Night on Bald Mountain						10:43
	04	Dance Macabre						07:47
	05	March to the Scaffold from Symphonie fantastique						05:04
	06	Pandemonium from The Damnation of Faust						03:28
	07	In the Hall of the Mountain King from Peer Gynt						02:33
	08	Synthersizer Effects	Rosalind Ilett					00:52
	09	Theme from The Twillight Zone						00:52
	10	12,000 Volts						00:12
	11	The Bride of Frankenstein						05:13
	12	Sleigh Ride from The Devil and Daniel Webster						01:57
	13	Psycho Part1						01:34
	14	Psycho Part2						02:02
	15	Psycho Part3						01:21
	16	Overture to Sleuth						02:54
	17	Television Noise						00:17
	18	The Light from Poltergeist						02:44
	19	Super Sleuth from Without A Clue						02:08
	20	Funeral March of a Marionette						03:38

Companies, etc.

Pressed By – DADC – DIDX 005382
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Published By – The Really Useful Group PLC
Published By – Colgems-EMI Music Inc.
Published By – SBK April Music Inc.
Published By – SBK Catalog, Inc.
Published By – Universal Music Corp.
Published By – Bourne Co.
Published By – Ensign Music Corp.
Published By – John Addison
Published By – SBK Affiliated Lion
Published By – EYETEECEE Music, Inc.
Published By – Hollyweed Music
Recorded At – Music Hall, Cincinnati

Credits

Art Direction – Ray Kirschensteiner
Conductor – Erich Kunzel
Design [Cover] – Mike Ericsson*
Edited By – Rosalind Ilett, Thomas Knab
Engineer – Jack Renner
Illustration [Cover] – John Maggard (2), Scott Hull Associates
Liner Notes – David Loebel
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods (2)
Producer [Production Assistance] – Elaine Martone
Recorded By [Sound Effects] – Michael Bishop
Technician [Technical Assistance] – Michael Bishop, Thomas Knab

Notes
The 'Chiller' logo is treated with glow-in-the-dark ink.

Recorded in Music Hall, Cincinnati on October 23 & 24, 1988

℗© 1989 Telarc
Track 2 published by The Really Useful Group. Administered by Colgems-EMI Music, Inc. (ASCAP)
Track 9 published by SBK April Inc. (ASCAP)
Track 11 published by SBK Catalog - Universal Music Corp. (ASCAP)
Track 12 published by Bourne Co. (ASCAP)
Track 13-15 published by Ensign Music Corp. (BMI)
Track 16 published by John Addison (ASCAP)
Track 18 published by SBK Affiliated Lion (BMI)
Track 19 published by EYETEECEE Music, Inc. (ASCAP) & Hollyweed Music Co. (ASCAP)

Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
Microphones: Schoeps MK-2S & MK-3
Digital Recording Processor: Soundstream
Console: Neotek, custom build, wired with Monster Cable, Series III
Monitor Speakers: ADS Model 1530 wired with Monster Cable
Power amplifier: Threshold Model S/500 Stasis Series II with optical bias
The entire path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000 Series I Prolink and Series III Prolink bandwidht balanced
Control Room Acustic Treatment: Sonex from Illbruck/USA, Soundex from Monster Cable, Tube Traps by ASC, RPG diffusors
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e. compression, limiting or equalization) at any step during production.
Digital Editing: Sony DAE 3000