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01 |
Suite from 'Batman' |
Erich Kunzel; Cincinnati Pops Orchestra |
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15:24 |
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02 |
The Day the Earth Stood Still - Outer Space |
Erich Kunzel; Cincinnati Pops Orchestra |
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01:55 |
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03 |
War of the Worlds - Prelude |
Erich Kunzel; Cincinnati Pops Orchestra |
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01:16 |
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04 |
The Black Hole - End Title |
Erich Kunzel; Cincinnati Pops Orchestra |
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01:42 |
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05 |
Sound Effects - Through the Black Hole |
Erich Kunzel; Cincinnati Pops Orchestra |
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02:53 |
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06 |
Twilight Zone the Movie - End Title |
Erich Kunzel; Cincinnati Pops Orchestra |
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05:02 |
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07 |
The Boy Who Could Fly - End Title |
Erich Kunzel; Cincinnati Pops Orchestra |
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02:56 |
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08 |
The Beastmaster - Main Theme |
Erich Kunzel; Cincinnati Pops Orchestra |
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02:09 |
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09 |
The Explorers - End Title |
Erich Kunzel; Cincinnati Pops Orchestra |
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03:17 |
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10 |
Dragonslayer - End Title: The White Horse; Into the Sunset |
Erich Kunzel; Cincinnati Pops Orchestra |
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03:37 |
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11 |
Poltergeist - Carol Ann's Theme |
Erich Kunzel; Cincinnati Pops Orchestra |
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03:59 |
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12 |
Moonwalker - Suite |
Erich Kunzel; Cincinnati Pops Orchestra |
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04:38 |
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13 |
Star Trek V: The Final Frontier - A Busy Man |
Erich Kunzel; Cincinnati Pops Orchestra |
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04:17 |
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14 |
Indiana Jones & the Last Crusade - Escape from Venice |
Erich Kunzel; Cincinnati Pops Orchestra |
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04:51 |
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15 |
Star Wars - Cantina Band |
Erich Kunzel; Cincinnati Pops Orchestra |
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03:10 |
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16 |
The Last Starfighter - Main Title |
Erich Kunzel; Cincinnati Pops Orchestra |
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03:07 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80231 |
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| Studio |
Music Hall, Cincinnati |
| Catalog |
CD-80231 |
| Packaging |
Jewel Case |
| Recording Date |
10/16/1989 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
SPECIAL TELARC ARTIST |
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| Conductor |
Erich Kunzel; Cincinnati Pops Orchestra |
| Orchestra |
Cincinnati Pops |
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Companies, etc.
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Manufactured By – Digital Audio Disc Corp.
Recorded At – Music Hall, Cincinnati
Credits
Art Direction – Ray Kirschensteiner
Conductor – Erich Kunzel
Cover [Datail] – Radii (2)
Cover [Graphics] – Nottingham-Spirk Design Associates, Inc.
Cover [Image] – Laurie Fields
Engineer [Recording] – Jack Renner
Liner Notes – Paul Freeman (7), Robert Derwae
Orchestra – Cincinnati Pops Orchestra
Producer [Assistance] – Elaine Martone
Producer [Recording] – Robert Woods (2)
Technician [Assistance] – Michael Bishop
Notes
Recorded in Music Hall, Cincinnati, Ohio on September 11, 12 and October 16, 1989
Microphones: Schoeps MK-25, MK-3, Sennheiser MHK-40
Digital Recording Processor: dbx/CTI 18 Bit A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifier: Threshold Model SA/12e Stasis, Pure Class A
The entire signal path from microphone to digital processor utilized the latest cable technology from Monster Cable, including M1000, M[Sigma]2, Series I Prolink and Series III Prolink bandwidth balanced
Control Room Acoustic Treatment:
Sonex from illbruck/usa
Sondex from Monster Cable
Tube Traps by ASC
RPG Diffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to John Barry, Bob Bornstein, Bruce Broughton, Lois Carruth, Bill Darby, Bob Dolan and the staff of Valle Music, Dan and Joel Franklin, Jerry Goldsmith, Lee Holdridge, Michael Jackson, Mary Judge, Jo Ann Kane, Alex North, Paramount Pictures, Craig Safan, Eldridge Walker, Warner Brothers and John Waxman.
