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01 |
Festive Overture, Op. 96 - Shostakovich |
Dmitri Shostakovich |
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06:35 |
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02 |
Ride of the Valkyries - Wagner |
Richard Wagner (1813 - 1883) |
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04:54 |
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03 |
Ritual Fire Dance - De Falla |
Manual de Falla (1876 - 1946) |
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04:05 |
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04 |
Farandole from L'Arlesienne Suite No. 2 - Bizet |
Georges Bizet (1838 - 1875) |
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03:08 |
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05 |
Praeludium - Jarnefelt |
A. Jarnefelt |
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02:52 |
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06 |
Espana |
Erich Kunzel; Cincinnati Pops Orchestra |
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06:26 |
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07 |
Marche Slav |
Erich Kunzel; Cincinnati Pops Orchestra |
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09:14 |
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08 |
Entry March of the Boyars - Halvorsen |
Erich Kunzel; Cincinnati Pops Orchestra |
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04:26 |
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09 |
Roumanian Rhapsody No. 1 in A major, Op.11 |
Erich Kunzel; Cincinnati Pops Orchestra |
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11:59 |
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10 |
Sabre Dance |
Erich Kunzel; Cincinnati Pops Orchestra |
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02:34 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80170 |
|
| Studio |
Music Hall, Cincinnati |
| Catalog |
CD-80170 |
| Packaging |
Jewel Case |
| Recording Date |
9/15/1987 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
SPECIAL TELARC ARTIST |
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| Conductor |
Erich Kunzel; Cincinnati Pops Orchestra |
| Orchestra |
Cincinnati Pops |
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Companies, etc.
Record Company – BMG Direct Marketing, Inc. – D143132
Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Pressed By – DADC – DIDX-003670
Credits
Art Direction – Ray Kirschensteiner
Conductor – Erich Kunzel
Design – Michael Ericsson
Edited By – Elaine Martone, Rosalind Ilett, Thomas Knab
Engineer – Jack Renner
Illustration [Cover] – A.I.R. Studio
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods (2)
Technician [Assistance] – Michael Bishop
Notes
Total Playing Time: 56:14
*** Technical Information ***
Recorded in Music Hall, Cincinnati on September 14-15, 1987
Microphones: Schoeps MK-2S & MK-3
Digital Recording Processor: Sony PCM 1610 modified by Tony Faulkner
Console: Neotek, custom-built, wired with Monster Cable, Series III
Monitor Speakers: ADS Model 1530
Power Amplifier: Threshold Model S/500 Stasis, Series II with optical bias
The entire signal path from microphone to digital processors utilized the latest cable technology from Monster Cable, including M1000, Series I Prolink and Series III Prolink bandwidth balanced.
Control Room Acoustic Treatment: Sonex from illbruck/usa
Soundex from Monster Cable
Tupe Traps by ASC
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
