01	El Cid : Fanfare and Entry of The Nobles						03:24
	02	Hook : Main Themes						04:12
	03	T. Rex!						00:55
	04	Jurassic Park : Main Themes						05:24
	05	Splitting Hairs						00:04
	06	Robin Hood : Prince of Thieves : Main Titles						03:08
	07	Henry V : Opening and Closing Titles						03:27
	08	Willow : Main Themes						04:03
	09	The 7th Voyage of Sinbad: Overture - Bernard Herrmann						02:00
	10	The Abyss : End Titles						04:11
	11	Clash Of Titans : Main Titles, Love Theme and End Titles						03:14
	12	The Rocketeer : To The Resume and End Titles						06:59
	13	Beetlejuice : Main Titles						02:07
	14	Total Recall : Main Titles						02:19
	15	The Princes's Bride : Main Titles						03:27
	16	Wizards & Warriors: Main Titles - Lee Holdridge						03:00
	17	Conan The Barbarian : Anvil Of Crom						02:29
	18	The Hunt For The Red October : Hymn To Red October						05:10
	19	Cybergenesis						01:22
	20	Terminator : Theme						03:31
	21	Jurassic Lunch						01:13

Credits

Arranged By – Anthony M. Kaye (tracks: 7), Greg McRitchie (tracks: 17), Julie Spangler (tracks: 20), Mark McGurty (tracks: 1, 2, 4, 5, 8, 10, 11, 15)
Art Direction – Anilda Carrasquillo
Chorus – May Festival Chorus (tracks: 7, 18)
Conductor – Erich Kunzel
Design [Cover] – Susan Cybulski
Directed By [Chorus] – Robert Porco (tracks: 7, 18)
Engineer [Recording] – Jack Renner, Michael Bishop
French Horn – John Birge
Guitar – Timothy Berens (tracks: 15)
Harp – Elizabeth Motter, Juliet Stratton, Marcia LaBella
Keyboards – Heather MacPhail
Liner Notes – Robert Derwae
Liner Notes, Sound Designer – Michael Bishop (tracks: 3, 5, 19, 20, 21)
Orchestra – Cincinnati Pops Orchestra
Percussion – Fred Thiergartner, Marc Wolfley
Photography By – Chris Callis
Producer [Recording] – Robert Woods (2)
Sound Designer [Assistance] – Scott Burgess (tracks: 3, 5, 19, 20, 21)
Supervised By [Production Supervisor] – Elaine Martone
Trombone – Paul Piller
Trumpet – Charles Pagnard
Violin – Michelle Wilkison
Vocals, Soloist – Brian Horne (tracks: 7)

Notes
Total Playing Time 65:39

TECHNICAL INFORMATION

Recorded in Music Hall, Cincinnati, Ohio, November 1, December 12, 1993 and January 16, 1994
Microphones: Schoeps MK-2S, MK-3; Sennheiser MKH-40
On-Stage Preamplifiers: Millennia Media HV-3
Console: Ramsa WR-S824B custom engineered by John Windt
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Recorded on Mitsubishi X-86E 20-bit Digital Recorder
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline & MH-750 Shotgon Terminator Interceonnects.
Minotored through Krell 20-bit "Studio" DAC
Monitor Speakers: Waveform Mach 7 (bi-amplified) Ötvös Industries
Power Amplifiers: Bryston 4B-PNB
Exclusive Control Room Acoustic treatment: RPG Abfusors & Diffusors
Digital Editing and Mixing: Sonic Solutions
20 to 16-bit Encoding: Apogee UV-22 Hyper Resolution CD Encoder

The Music Hall ambience, sound effects and synthesizers in this recording are enhanced by Spatializer®, a new audio technology which creates a three-dimensional surround sound listening experience using two ordinary stereo speakers. No decoding equipment is required. However speakers must be properly wired. Spatializer® encoded recordings are compatible with Dobly Pro-Logic® and Dolby Surround® Decoders. Playback through these systems will further enhance the listening experience.

Special thanks to Crafton Beck; Mark McGurty; Joe Linn, Solon Archery, Inc.; Bob LaTessa; the Green Ball Bearing Company; Sweetwater Sound and Tom Letizia's Jazz Underground Studios.

Tyrannosaurus rex coutesy of DiNAtech Genetics Laboratories

The Producer would like to thank Paul Garnett for his assistance in selecting the program material for this recording.