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01 |
Radetzky March, Op 228 |
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03:17 |
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02 |
Overture to Gypsy Baron |
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07:32 |
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03 |
Jager Polka (Huntsman Polka), Op. 229 |
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02:55 |
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04 |
Fruhlingsstimmen Walzer (Voices of Spring Waltzes), Op. 410 |
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05:46 |
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05 |
Nachtigall Polka (Nightingale Polka) Op. 222 |
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03:42 |
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06 |
Studenten Polka (Students' Polka), Op. 263 |
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02:59 |
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07 |
Gold and Silver Waltzes |
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06:39 |
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08 |
Im Sturmschritt, Polka Schnell (At the Double, Fast Polka), Op. 348 |
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02:57 |
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09 |
Mit Dampf, Polka Schnell (At Full Steam, Fast Polka), Op. 70 |
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02:16 |
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10 |
Ballsirenen Walzer (Siren of the Dance Waltzes) from The Merry Widow |
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06:44 |
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11 |
Overture to Countess Mariza |
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04:17 |
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12 |
Hofball-Tanze Walzer (Court Ball Waltzes), Op. 161 |
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05:41 |
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13 |
Walzertraume (Waltz Dreams) |
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06:50 |
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14 |
Zwei Herzen im Dreivierteltakt (Two Hearts in Three-Quarter Time) |
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02:48 |
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15 |
Overture to Die Fledermaus |
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08:27 |
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16 |
Wien, Wien, nur du allein (Vienna, City of My Dreams |
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04:33 |
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| Cost |
$7.85 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80547 |
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| Studio |
Music Hall, Cincinnati |
| Catalog |
CD-80547 |
| Packaging |
Jewel Case |
| Recording Date |
2/20/2000 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
SPECIAL TELARC ARTIST |
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| Conductor |
Erich Kunzel; Cincinnati Pops Orchestra |
| Orchestra |
Cincinnati Pops |
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Credits
Arranged By – Erich Kunzel (tracks: 3, 6, 8, 12, 13), Steven Reineke (tracks: 14, 16)
Art Direction – Anilda Carrasquillo
Composed By – Eduard Strauss* (tracks: 9), Emmerich Kálmán (tracks: 11), Franz Lehár (tracks: 7, 10), Johann Strauss Jr. (tracks: 2 to 6, 8, 15), Johann Strauss Sr. (tracks: 1), Josef Lanner (tracks: 12), Oscar Strauss* (tracks: 13), Robert Stolz (tracks: 14), Rudolf Sieczynski (tracks: 16)
Conductor – Erich Kunzel
Design – Brian Sooy & Co., Heidi Kropf
Edited By – Thomas C. Moore
Engineer – Jack Renner
Liner Notes – Richard E. Rodda
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods (2)
Soprano Vocals – Tracy Dahl
Sounds [Sound Effects Production] – Michael Bishop
Supervised By [Production Supervisor] – Erica Brenner
Technician [Assistance] – James Yates*, Mark Robertson-Tessi
Notes
Total Playing Time: 77:24
*** Technical Information ***
Recorded in Music Hall, Cincinnati, Ohio, February 19-20, 2000
Microphones: Schoeps CMC-6/MK-2s, MK-21, MK-3, MK-2H
On-Stage Microphone Preamplifiers: Millennia Media M2-a, HV3, and Quad
Console: Ramsa WR-S824B, custom engineered by John Windt
Balanced Terminators and MH-750 CVT Shotgun Terminators; Monster Cable Series I and 3 Prolink
Digital Recording System: Sony Direct Stream Digital System with custom DSD ADC and DAC by Ed Meitner, EMM Labs
Power Amplifiers: Threshold SA4e and Bryston 4B NPB
Monitor Speakers: Waveform Mach 10 (bi-amplified) by Waveform Inc.
Control Room & On-Stage Acoustic Treatment: RPG Abffusors and Diffusors
Digital Editor: Sonic Solutions
DSD to PCM Encoding: Sony Super Bit Mapping Direct
Special thanks to David Kawakami and Gus Skinas, Sony Super Audio Project
This CD was recorded using the Direct Stream Digital™ recording system. DSD is a new and improved method of converting music into the digital domain, sampling a 1-bit word at 2.8224 mHz. This results in a frequency response from 0Hz to beyond 100kHz, and a dynamic range greater than 120 dB. Much of the added resolution afforded by the DSD process is retained in standard CD production by using Super Bit Mapping Direct™, a dedicated DSD conversion Processor.
Direct Stream Digital™ and Super Bit Mapping Direct™ are trademarks of the Sony Corporation.
