01	Christopher Theofanidis: Rainbow Body						13:03
	02	Samuel Barber: Symphony No. 1, Op. 9						20:18
	03	Aaron Copland: Suite From Appalachian Spring						23:26
	04	Jennifer Higdon: blue cathedral						12:19

Companies, etc.

Recorded At – Atlanta Symphony Hall
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc

Credits

Art Direction – Anilda Carrasquillo
Conductor, Liner Notes – Robert Spano
Design – Brian Sooy & Co., Heidi Goodman
Engineer [Assistant] – James Yates*, Paul Blakemore (3)
Engineer [Recording] – Jack Renner
Executive-Producer – Robert Woods (2)
Illustration – Thomas Macko
Liner Notes – Christopher Theofanidis, Jennifer Higdon, Nick Jones (12)
Orchestra – Atlanta Symphony Orchestra
Producer [Assistant], Edited By [Editor] – Thomas C. Moore
Producer [Production Assistance] – Fyodor Cherniavsky
Producer [Recording] – Elaine Martone

Notes
Total Playing Time [69:06]

Recorded in Symphony Hall, Woodruff Arts Center, Atlanta, Georgia, April 12 and September 21, 2002.

Microphones: Schoeps CMC-6/MK-2, MK-21, MK-2H; Neumann KU-100.
On-stage Microphone Preamplifiers: Millennia Media HV-3.
Console: Ramsa WR-S824B, custom engineered by John Windt.
Interconnecting Cables: Music Interface Technologies Proline with Balanced Terminators and MH-750 CVT Shotgun Terminators; Monster Cable Series 1 and 3 Prolink.
Digital Recording System: Sony / Philips Direct Stream Digital with EMM Labs ADC & DAC custom engineered by Ed Meitner; Genex 8500 DSD Recorders.
Power Amplifiers: Krell Theater Amplifier Standard.
Monitor Speakers: Waveform MC Surround System.
Control Room and On-stage Acoustic Treatment: RPG Abfussors and Diffusors.
Digital Editor: Sonoma DSD

This CD was recorded using the Direct Stream Digital™ recording system. DSD is a new and improved method of converting music into the digital domain, sampling at 2.8224 mHz. This results in a frequency response from 0 Hz to beyond 100 kHz, and a dynamic range greater than 120 dB. Much of the added resolution afforded by the DSD process is retained in standard CD production by using a dedicated DSD conversion processor. (Direct Stream Digital™ is a trademark of Sony and Philips)

This recording is made possible in part by support from the Aaron Copland Fund for Performing Ensembles.