|
|
|
01 |
Louis Couperin/Chacone in G Minor |
|
|
|
02:44 |
|
|
02 |
Marcel Dupre/Carillion, Opus 27, No. 4 |
|
|
|
05:47 |
|
|
03 |
Eugene Gigout/Scherzo |
|
|
|
04:21 |
|
|
04 |
Cesar Frank/Piecxe Heroiique |
|
|
|
08:45 |
|
|
05 |
Charles-Marie Widor/Toccata Symphony V |
|
|
|
05:24 |
|
|
06 |
Johann Sebastian Bach/Sinfonia, Cantata 29 |
|
|
|
03:51 |
|
|
07 |
Louis Vierne/Final, Symphony I |
|
|
|
05:44 |
|
|
08 |
Marcel Dupre/Musette, Opus 51 |
|
|
|
02:21 |
|
|
09 |
Nicholas Jacques Lemmens/Fanfare |
|
|
|
01:45 |
|
|
10 |
Francis Poulenc/Concerto in G Minor for Organ, Strings and Timpani |
|
|
|
25:12 |
|
| Location |
Telarc Collection |
| Disc 1 |
: CD-80104 |
|
| Studio |
Atlanta Symphony Hall, aka Woodruff Memorial Arts Center; Boston Symphony Hall; Cathedral of Saint Philip, Atlanta |
| Catalog |
CD-80104 |
| Packaging |
Jewel Case |
| Recording Date |
5/20/1982 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
SPECIAL TELARC ARTIST |
|
|
|
Companies, etc.
Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Matsushita Electric Ind. Co., Ltd.
Credits
Art Direction – Ray Kirschensteiner
Conductor – Robert Shaw (tracks: 10)
Engineer [Recording] – Jack Renner
Orchestra – Atlanta Symphony Orchestra (tracks: 10)
Organ – Michael Murray (4)
Photography By [Cover] – Lincoln Russel
Producer [Assistance] – Elaine Martone
Producer [Recording] – Robert Woods (2)
Notes
Total Playing Time: 65:55
ENCORES à la française: Recorded in Symphony Hall, Boston on September 27, 1981
POULENC: Organ Concerto: Recoreded in the Cathedral of Saint Philip, Atlanta on May 20, 1982
Microphones: Shoeps Colette Series
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model 4000
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex from illbruck/usa
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.
