The Romeros - Touch Of Class [signed]
Autographed
Telarc  (1988)
Classical

In Collection
#1764

0*
CD    11 tracks  (52:55) 
   01   Largo From Con No.5 In F ,BWV 1056             03:02
   02   Siciliana From Ste No.3,Ancient Airs And Dances             03:28
   03   Minuets I And II In G From Anna Magdalena Notebooks             04:01
   04   Vars On Greensleeves             03:57
   05   Andante From Piano Con No.21 In C, K.467             07:08
   06   Adagio             07:29
   07   Largo From 'Winter', The Four Seasons             02:18
   08   Theme And Vars On A Japanese Folksong 'Sakura': Intro, Theme, Var 1, Var 2, Var 3, Var 4, Var 5...             09:35
   09   Clair De Lune             05:38
   10   Gymnopedie No.1             03:01
   11   Cavatina From The Deer Hunter             03:18
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80134
Details
Studio Mission Say Luis Rey, California
Catalog CD-80134
Packaging Jewel Case
Recording Date 8/6/1987
Spars DDD
Sound Stereo
User Defined
Classification: SPECIAL TELARC ARTIST
Notes
Companies, etc.

Manufactured By – Digital Audio Disc Corp.
Recorded At – Mission San Luis Rey

Credits

Art Direction – Ray Kirschensteiner
Cover [Graphics] – Ramba Design
Edited By – Elaine Martone, Rosalind Ilett, Thomas Knab
Guitar – Lito Romero (tracks: 5 to 7)
Guitar, Liner Notes – Angel Romero (2)
Photography By [Cover] – Tom Zimberoff
Producer, Engineer – Robert Woods (2)
Technician [Assistance] – Bruce Leek, Joseph Maggee

Notes
A Touch of Class - Popular classics transcribed for guitar

Total Playing Time: 52:49

**** Technical Information ****

Recorded in Mission San Luis Rey, California on August 3-6, 1987
Microphones: Sennheiser MKH-20 & Schoeps 221B
Digital Recording Processor: Nakamichi DMP 100 & dbx 700
Console: Neotek, custom-built
Monitor Speakers: ADS Model 980
Power Amplifier: Ramsa WP 9220
Microphone & Interconnecting Cables: Monster Cable Prolink Series I & Hitachi LCOFC
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Mr Romero wishes to thank Franklin Kimlicko, Head of the Guitar Department at Tyler Junior College, Tyler, Texas for his assistance in the preparation of this recording.