|
|
01 |
Birdfeathers |
|
|
Charlie Parker |
05:10 |
|
02 |
Dreamsville |
|
|
Henry Mancini |
04:57 |
|
03 |
The End Of A Love Affair |
|
|
Edward C. Redding |
07:08 |
|
04 |
Zingaro |
|
|
Antonio Carlo Jobim |
06:14 |
|
05 |
The Duke |
|
|
Dave Brubeck |
08:57 |
|
06 |
I Hear A Rhapsody |
|
|
George Fargos, Richard Bard |
05:18 |
|
07 |
The Masquerade Is Over |
|
|
Herb Magidson |
09:41 |
|
08 |
Horizon |
|
|
Neil Swanson |
05:36 |
|
09 |
Just A Mood |
|
|
George Shearing |
07:06 |
|
10 |
Wail |
|
|
Bud Powell |
04:37 |
|
11 |
Too Late Now |
|
|
Alan Jay Lerner |
06:19 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-83310 |
|
| Studio |
Blue Note in New York City |
| Catalog |
CD-83310 |
| Packaging |
Jewel Case |
| Recording Date |
2/29/1992 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC JAZZ |
|
|
|
Companies, etc.
Manufactured By – DADC Austria – DIDX 014044
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Credits
Art Direction – Anilda Carrasquillo
Art Direction [Art Director] – Ray Kirschensteiner
Bass – Neil Swainson
Drums – Grady Tate
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Graphics [Cover] – Susan Cybulski
Liner Notes – Donald Elfman, George Shearing
Mixed By [Live Sound Mixing For The Blue Note] – Amit Peleg
Photography By [Cover] – Frank Micelotta
Piano – George Shearing
Producer – John Snyder
Recording Supervisor [Production Supervisor] – Elaine Martone
Technician [Piano Technician] – Barbara Pease
Technician [Technical Assistance] – John Newton
Notes
Recorded live at the Blue Notes, New York City, February 27-29, 1992.
Microphones:
Overall: Schoeps MK-6 in M/S stereo
Bass: Audio Technica ATM-35
Piano: B & K 4006
Drums: B & K 4011
Console: Studer 962
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D custom engineered by Kenneth Hamann.
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline
Monitor Speakers: B & W 801- Matrix 2
Power Amplifiers: B & W MPA-810
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e. compression, limiting, or equalization) at any step during production.
Total Playing Time 71:01 (according to cover)
The durations listed on the cover are incorrect (4:54, 4:46, 6:56, 6:03, 8:41, 5:08, 9:35, 5:30, 6:52, 4:22, 6:00). They might indicated the pure music running times without the audience reaction bits. The actual durations listed on discogs are taken by computer.