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01 |
I. Maestoso - Allegro |
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07:07 |
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02 |
Ii. Adagio, Ma Non Troppo E Molto Cantabile |
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16:17 |
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03 |
Iii. Scherzando Vivace |
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08:17 |
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04 |
Iv. Finale |
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07:01 |
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05 |
I. Adagio, Ma Non Troppo E Molto Espressivo |
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07:26 |
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06 |
Ii. Allegro Molto Vivace |
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03:01 |
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07 |
Iii. Allegro Moderato |
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00:49 |
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08 |
Iv. Andante, Ma Non Troppo E Molto Cantabile |
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13:49 |
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09 |
V. Presto |
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05:19 |
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10 |
Vi. Adagio Quasi Un Poco Andante |
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02:08 |
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11 |
Vii. Allegro |
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06:49 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80425 |
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| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80425 |
| Packaging |
Jewel Case |
| Recording Date |
12/8/1995 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Ludwig van Beethoven (1770 - 1827) |
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Credits
Art Direction – Anilda Carrasquillo
Cello – Paul Katz (2)
Composed By – Ludwig van Beethoven
Design – Susan Azzarello
Edited By [Assistance] – Jeanne Velonis
Engineer – Jack Renner, Thomas Knab
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [Germany] – Gila Fox
Photography By – Andrew Russetti
Producer, Edited By – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Viola – James Dunham
Violin – Peter Salaff, William Preucil
Notes
Total Playing Time: 77:56
**** Technical Information ****
Recorded in Mechanics Hall, Worcester, Massachesetts, December 5-8, 1995
Microphones: Schoeps CMC-6/MK-2
On-Stage Microphone Preamplifier: Millennia Media HV-3
Console: Panasonic-Ramsa, custom engineered by John Windt
Digital Recording Processor: Telarc/UltraAnalog 20-bit ADC, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) & "Live Wire" Speaker Cables
Monitored through Krell Studio Software DAC
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold Model S/1000; Pure Class A/AB Stasis
Control Room Acoustic Treatment: Sonex by illbruck/usa
Digital Editing: Digidesign Sound Designer II
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Joseph Chilorio, Mechanics Hall Productions
