|
|
|
01 |
Quartet, op 59 No 2 ""Razumovsky"" I. Allegro |
|
|
|
13:40 |
|
|
02 |
Quartet, op 59 No 2 Ii. Molto Adagio: Si Tratta Questo Pezzo Con Molto Di Sentimento |
|
|
|
12:40 |
|
|
03 |
Quartet, op 59 No 2 Iii. Allegretto |
|
|
|
06:48 |
|
|
04 |
Quartet, op 59 No 2 Iv. Finale: Presto |
|
|
|
05:31 |
|
|
05 |
Quartet, op 59 No 3 ""Razumovsky"" I. Introduzione: Andante Con Mo To; Allegro Vivace |
|
|
|
10:32 |
|
|
06 |
Quartet, op 59 No 3 Ii. Andante Con Moto Quasi Allegretto |
|
|
|
08:48 |
|
|
07 |
Quartet, op 59 No 3 Iii. Menuetto Grazioso |
|
|
|
05:22 |
|
|
08 |
Quartet, op 59 No 3 Iv. Allegro Molto |
|
|
|
06:06 |
|
| Location |
Telarc Collection |
| Disc 1 |
: CD-80268 |
|
| Studio |
American Academy of Arts and Letters, NYC; Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80268 |
| Packaging |
Jewel Case |
| Recording Date |
5/16/1992 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC CLASSICAL |
|
| Composer/Artist |
Ludwig van Beethoven (1770 - 1827) |
|
|
Companies, etc.
Manufactured By – Digital Audio Disc Corp.
Recorded At – American Academy Of Arts And Letters
Credits
Art Direction – Anilda Carrasquillo
Cello – Paul Katz (2)
Composed By – Ludwig van Beethoven
Design – Anilda Carrasquillo, Susan Cybulski
Edited By – Judith Sherman
Engineer – Jack Renner
Engineer [Assistance] – Henk Kooistra
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Photography By [Cover] – Andrew Russetti
Producer – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Technician [Assistance] – Henk Kooistra
Viola – James Dunham
Violin – Peter Salaff, William Preucil
Notes
Total Playing Time: 69:26
**** Technical Information ****
Recorded in American Academy and Institute of Arts and Letters, New York City, July 25-30, 1991 and at Mechanics Hall, Worcester, Massachesetts, May 12-16, 1992.
Microphones: Schoeps M-221B/MK-2 (tube)
Console: Studer 961
Digital Recording Processor: UltraAnalog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) Proline & "Livewire" Speaker Cable
Monitor Speakers: B&W 801 Matrix 2
Monitored through Apogee Model 500 Reference D/A
Power Amplifiers: Threshold S/1000 Stasis; Class A/AB
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: digidesign Sound Designer II
Special thanks to Joseph Chilorio, Mechanics Hall Productions; Jerry G. Foreslien; and Eastman Violin, Inc. for the instruments pictured on the cover.
