Ludwig van Beethoven (1770 - 1827) - Beethoven: String Quartets Op. 130 - Grosse Fuge Op. 133
Telarc Digital  (1996)
Classical

In Collection
#171

0*
CD    7 tracks  (61:59) 
   01   Op.13O in B-flat : I. Adagio ma non troppo; Allegro             15:17
   02   II. Presto             02:02
   03   III. Andante con moto ma non troppo             06:52
   04   IV. Alla danza tedesca: Allegro assai             03:56
   05   Cavatina: Adagio molto espressivo             07:00
   06   VI. Finale: Allegro             10:25
   07   Op.133 in B-flat, 'Grosse Fuge'             16:27
Personal Details
Cost $6.50
Location Telarc Collection

Locator
Disc 1 : CD-80422
Details
Studio Mechanics Hall, Worcester, Massachusetts
Catalog CD-80422
Packaging Jewel Case
Recording Date 9/8/1995
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Ludwig van Beethoven (1770 - 1827)
Notes
Credits

Art Direction – Anilda Carrasquillo
Cello – Paul Katz (2)
Composed By – Ludwig van Beethoven
Design – Anilda Carrasquillo, Susan Azzarello
Edited By [Assistance] – Jeanne Velonis
Engineer – Jack Renner, Thomas Knab
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Photography By [Cover] – Andrew Russetti
Producer, Edited By – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Viola – James Dunham
Violin – Peter Salaff, William Preucil

Notes
Total Playing Time: 61:52

**** Technical Information ****

Recorded in Mechanics Hall, Worcester, Massachusetts, September 1-8, 1995
Microphones: Schoeps CMC-6/MK-2
On-Stage Microphone Preamplifier: Millennia Media HV-3
Console: Panasonic-Ramsa, custom engineered by John Windt
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) Proline & "Live Wire" Speaker Cables
Monitored through Krell Studio Software DAC
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold Model S/1000; Pure Class A/AB Stasis
Control Room Acoustic Tratment: Sonex by illbruck/usa
Digital Editing: Digidesign Sound Desinger II

During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to Joseph Chilorio, Mechanics Hall Productions