|
|
|
01 |
Op. 18-1:1, Allegro Con Brio |
Cleveland String Quartet |
|
|
09:31 |
|
|
02 |
Op. 18-1:2, Adagio Affettuoso Ed Appassionato |
Cleveland String Quartet |
|
|
09:24 |
|
|
03 |
Op. 18-1:3, Scherzo: Allegro Molto; Trio |
Cleveland String Quartet |
|
|
03:22 |
|
|
04 |
Op. 18-1:4, Allegro |
Cleveland String Quartet |
|
|
06:48 |
|
|
05 |
Op. 18-2:1, Allegro |
Cleveland String Quartet |
|
|
07:39 |
|
|
06 |
Op. 18-2:2, Adagio Cantabile |
Cleveland String Quartet |
|
|
06:21 |
|
|
07 |
Op. 18-2:3, Scherzo: Allegro; Trio |
Cleveland String Quartet |
|
|
04:20 |
|
|
08 |
Op. 18-2:4, Allegro Molto, Quasi Presto |
Cleveland String Quartet |
|
|
05:32 |
|
|
09 |
Op. 18-3:1, Allegro |
Cleveland String Quartet |
|
|
07:35 |
|
|
10 |
Op. 18-3:2, Andante Con Moto |
Cleveland String Quartet |
|
|
07:32 |
|
|
11 |
Op. 18-3:3, Allegro |
Cleveland String Quartet |
|
|
02:51 |
|
|
12 |
Op. 18-3:4, Presto |
Cleveland String Quartet |
|
|
05:51 |
|
| Cost |
$6.50 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80382 |
|
| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80382 |
| Packaging |
Jewel Case |
| Recording Date |
5/9/1994 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC CLASSICAL |
|
| Composer/Artist |
Ludwig van Beethoven (1770 - 1827) |
|
|
Companies, etc.
Manufactured By – Digital Audio Disc Corp.
Credits
Art Direction, Design – Anilda Carrasquillo
Cello – Paul Katz (2)
Composed By – Ludwig van Beethoven
Engineer – Jack Renner
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Photography By [Cover] – Andrew Russetti
Producer, Edited By – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Technician [Assistance] – Scott Burgess, Thomas Knab
Viola – James Dunham
Violin – Peter Salaff, William Preucil
Notes
Total Playing Time: 76:46
**** Technical Information ****
Recorded in Mechanics Hall, Worcester, Massachusetts, September 23-24, 1993 and May 4-5, 8-9, 1994
Microphones: Schoeps M-221B / MK-2 (tube)
On-Stage Microphone Preamplifier: Millennia Media HV-3
Console: Neotek, custom-built
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) Proline & "Live Wire" Speaker Cables
Monitored through Krell Studio Software DAC
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold Model S/1000; Pure Class A/AB Stasis
Control Room Acoustic Treatment: Sonex by illbruck/usa
Digital Editing: Digidesign Sound Designer II
During production of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Joseph Chilorio, Mechanics Hall Productions
