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01 |
I. Assai Sostenuto - Allegro |
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09:55 |
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02 |
Ii. Allegro Ma Non Tanto |
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08:45 |
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03 |
Iii. Molto Adagio |
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17:10 |
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04 |
Iv. Alla Marcia, Assai Vivace |
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02:23 |
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05 |
V. Allegro Appassionato |
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07:03 |
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06 |
I. Allegretto |
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06:27 |
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07 |
Ii. Vivace |
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03:14 |
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08 |
Iii. Lento Assai, Cantante E Tranquillo |
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07:42 |
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09 |
Iv. Grave Ma Non Troppo Tratto - Allegro |
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06:45 |
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| Cost |
$6.50 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80427 |
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| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80427 |
| Packaging |
Jewel Case |
| Recording Date |
12/15/1985 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Ludwig van Beethoven (1770 - 1827) |
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Credits
Art Direction – Anilda Carrasquillo
Cello [Cleveland Quartet] – Paul Katz (2)
Composed By – Ludwig van Beethoven
Design [Cover Design] – Susan Azzarello
Edited By – Judith Sherman
Edited By [Editing Assistance] – Jeanne Velonis
Engineer [Recording Engineer] – Jack Renner, Thomas Knab
Ensemble – Cleveland Quartet*
Executive-Producer – Robert Woods (2)
Liner Notes – Steven Ledbetter
Liner Notes [Traduction] – Patricia Dussaux
Liner Notes [Übersetzung] – Gila Fox
Photography By [Cover Photo] – Andrew Russetti
Producer [Recording Producer] – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Viola [Cleveland Quartet] – James Dunham
Violin [Cleveland Quartet] – Peter Salaff, William Preucil
Notes
Total Playing Time [69:15]
Technical Information
Recorded in Mechanics Hall, Worcester, Massachusetts, December 11-15, 1985
Microphones: Schoeps CMC-6/MK-2
On-Stage Microphone Preamplifier: Millennia Media HV-33
Console: Panasonic-Ramsa, custom engineered by John Windt
Digital Recording Processor: Telarc / UltraAnalog 20-bit ADC, custom engineered by Kenneth Hamann
Microphones & Interconnecting Cables: Music Interface Technologies Proline & "Live Wire" Speaker Cables
Monitored through Krell Studio Software DAC
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold Model S/1000; Pure Class A/AB Stasis
Control Room Acoustic Treatment: Sonex by illbruck/usa
Digital Editing: Digidesign Sound Designer II
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Joseph Chilorio, Mechanics Hall Productions
