Ludwig van Beethoven (1770 - 1827) - Beethoven: String Quartets, Op. 18, Nos. 4 & 5 - Cleveland Quartet
Telarc Digital  (1995)
Classical

In Collection
#172

0*
CD    8 tracks  (50:55) 
   01   I. Allegro Ma Non Tanto             08:32
   02   Ii. Andante Scherzoso Quasi Allegretto             06:52
   03   Iii. Menuetto: Allegro; Trio             03:30
   04   Iv. Allegro             04:19
   05   I. Allegro             06:30
   06   Ii. Menuetto; Trio             04:35
   07   Iii. Andante Cantabile             09:54
   08   Iv. Allegro             06:43
Personal Details
Cost $6.50
Location Telarc Collection

Locator
Disc 1 : CD-80414
Details
Studio Mechanics Hall, Worcester, Massachusetts
Catalog CD-80414
Packaging Jewel Case
Recording Date 5/8/1994
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Ludwig van Beethoven (1770 - 1827)
Notes
Companies, etc.

Manufactured By – Digital Audio Disc Corp.
Recorded At – Mechanics Hall, Worcester, MA

Credits

Art Direction, Design – Anilda Carrasquillo
Cello – Paul Katz (2)
Composed By – Ludwig van Beethoven
Engineer – Jack Renner
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Photography By [Cover] – Andrew Russetti
Producer, Edited By – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Technician [Assistance] – Thomas Knab
Viola – James Dunham
Violin – Peter Salaff, William Preucil

Notes
Total Playing Time: 50:54

**** Technical Information ****

Recorded in Mechanics Hall, Worcester, Massachusetts, May 17-20, 1993 & May 5 and 8, 1994
Microphones: Schoeps M-221B / MK-2 (tube)
On-Stage Microphone Preamplifier: Millennia Media HV-3
Console: Neotek, custom-built
Digital Recording Processor: Telarc / UltraAnalog 20-bit ADC, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) Proline & "Live Wire" Speaker Cables
Monitored through Krell Studio Software DAC
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold Model S/1000; Pure Class A/AB Stasis
Control Room Acoustic Treatment: Sonex by illbruck/usa
Digital Editing: Digidesign Sound Designer II

During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to Joseph Chilorio, Mechanics Hall Productions