|
|
01 |
Allegro Con Brio |
Boston Symphony Orchestra - Seiji Ozawa |
|
|
07:19 |
|
02 |
Andante Con Moto |
Boston Symphony Orchestra - Seiji Ozawa |
|
|
10:21 |
|
03 |
Allegro Allegro |
Boston Symphony Orchestra - Seiji Ozawa |
|
|
13:55 |
|
04 |
Egmont Oveture |
Boston Symphony Orchestra - Seiji Ozawa |
|
|
08:41 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80060 |
|
| Studio |
Boston Symphony Hall |
| Catalog |
CD-80060 |
| Packaging |
Jewel Case |
| Recording Date |
1/26/1981 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC CLASSICAL |
|
| Composer/Artist |
Ludwig van Beethoven (1770 - 1827) |
|
|
Companies, etc.
Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Matsushita Electric Ind. Co., Ltd.
Credits
Art Direction – Ray Kirschensteiner
Composed By – Ludwig van Beethoven
Conductor – Seiji Ozawa
Engineer [Recording] – Jack Renner
Orchestra – Boston Symphony Orchestra
Photography By [Cover] – Peter Schaaf (2)
Producer [Assistance] – Elaine Martone, Ronald Whitaker
Producer [Recording] – Robert Woods (2)
Notes
Early Japan-For-US pressing.
Manufactured by Matsushita Electric Ind. Co. Ltd.
Made in Japan
℗ © 1981 Telarc Records
DIDZ-10021 located on back cover and back of booklet
Total Playing Time: 40:10
Recorded in Symphony Hall, Boston, January 24 and 26, 1981
Microphones: Schoeps Colette Series
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model 4000
Interconnecting Cables: Audio-Technica
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.