01	Bizet: Carmen Suite No. 1, Prelude to Act I	Leonard Slatkin/Saint Louis Symphony Orchestra					01:25
	02	Bizet: Suite No. 1, Aragonaise (Prelude to Act IV)	Leonard Slatkin/Saint Louis Symphony Orchestra					02:21
	03	Bizet: Suite No. 1, Intermezzo (Prelude to Act III)	Leonard Slatkin/Saint Louis Symphony Orchestra					02:37
	04	Bizet: Suite No. 1, Seguidilla	Leonard Slatkin/Saint Louis Symphony Orchestra					01:51
	05	Bizet: Suite No. 1, Les Dragons d'Alcala	Leonard Slatkin/Saint Louis Symphony Orchestra					01:35
	06	Bizet: Suite No. 1, Les Toreadors (Introduction to Act I)	Leonard Slatkin/Saint Louis Symphony Orchestra					02:09
	07	Bizet: Suite No. 2, La Garde Montante	Leonard Slatkin/Saint Louis Symphony Orchestra					03:53
	08	Bizet: Suite No. 2, Danse Boheme	Leonard Slatkin/Saint Louis Symphony Orchestra					04:43
	09	Grieg: Ingrids Lament	Leonard Slatkin/Saint Louis Symphony Orchestra					05:07
	10	Grieg: Arabian Dance	Leonard Slatkin/Saint Louis Symphony Orchestra					04:30
	11	Grieg: Morning Mood	Leonard Slatkin/Saint Louis Symphony Orchestra					03:47
	12	Grieg: Ase's Death	Leonard Slatkin/Saint Louis Symphony Orchestra					05:03
	13	Grieg: Anitra's Dance	Leonard Slatkin/Saint Louis Symphony Orchestra					02:08
	14	Grieg: In the Hall of the Mountain King	Leonard Slatkin/Saint Louis Symphony Orchestra					02:31

Companies, etc.

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – DADC, Terre Haute, Indiana

Credits

Art Direction – Ray Kirschensteiner
Composed By – Edvard Grieg (tracks: 9 to 14), Georges Bizet (tracks: 1 to 8)
Conductor – Leonard Slatkin
Design – Alan Davis (7)
Engineer – Jack Renner
Liner Notes – Alan Penchansky
Orchestra – Saint Louis Symphony Orchestra
Painting [Cover Painting: "The Bullfight"] – Francisco De GOYA*
Producer – Robert Woods (2)

Notes
Cover Painting: "The Bullfight" by Francisco De GOYA.
National Gallery of Art, Washington (Gift of Arthur Sachs).

Total Playing Time: 43:43

*** Technical Information ***

Recorded in Power Symphony Hall, St. Louis on July 17, 1979
Microphones: Schoeps Colette Series
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS BC-8/II bi-amplified
Power Amplifiers: Threshold Model 4000
Interconnecting Cables: Audio-Technica

Because the outside temperature soared to 100 degrees (Farenheit) during our session, it was unfortunately necessary to leave the air conditioning system in the hall turned on. At the same time, TELARC's philosophy of reproducing the total frequency spectrum precluded any filtering. The rumble is barely audible and on most playback systems should be all but imperceptible.

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital infromation was not subject to any analog intersteps, thus preserving the integrity of the original digital master.