Erich Kunzel (1935 – 2009) & The Cincinnati Pops Orchestra - William Tell & Other Favorite Overtures
Telarc  (1986)
Classical

In Collection
#1836

0*
CD    7 tracks  (61:58) 
   01   Franz Von Suppe: Light Cavalry   Franz Von Suppe     Lohengrin       06:55
   02   Daniel-francois Auber: Fra Diavolo   Daniel-francois Auber     Don Juan       07:52
   03   Louis Joseph Herold: Zampa   Louis Joseph Herold     Orfeus och Euridike       08:20
   04   Franz Von Suppe: Poet And Peasant   Franz Von Suppe     Afrikanskan       10:21
   05   Emil Von Reznicek: Donna Diana   Emil Von Reznicek     Valkyrian       06:06
   06   Orpheus In The Underworld   Jacques Offenbach (1819 - 1880)     Tannhäuser       10:00
   07   William Tell   Giacchino Rossini     På Sicilien       12:24
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80116
Details
Studio Music Hall, Cincinnati
Catalog CD-80116
Packaging Jewel Case
Recording Date 9/22/1985
Spars DDD
Sound Stereo
User Defined
Classification: SPECIAL TELARC ARTIST
Credits
Conductor Erich Kunzel; Cincinnati Pops Orchestra
Orchestra Cincinnati Pops
Notes
Credits

Art Direction – Ray Kirschensteiner
Conductor – Erich Kunzel
Cover – DesignWyse
Edited By, Producer [Assistance] – Elaine Martone
Engineer – Jack Renner, Robert Woods (2)
Liner Notes – Richard E. Rodda
Orchestra – Cincinnati Pops Orchestra
Producer [Recording] – Robert Woods (2)

Notes
Total Playing Time: 61:59

**** Technical Information ****

Recorded in Music Hall, Cincinnati on June 1, September 17 & 22, 1985
Microphones: Schoeps MK-2S
Recorder: Sony PCM 1610 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: ADS Model 1530 & 1590
Power Amplifiers: Threshold Model S/500 Stasis, Series II; ADS PA-1 Biamplifier
Microphones & Interconnecting Cables: Monster Cable Proling & Interlink
Control Room Acoustic Treatment: Sones from illbruck/usa; Soundex from Monster Cable
Digital Editing: Sony DAE 1100

During the recorind of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any proccessing device (i.e., compression, limiting, or equalization) at any step during production.