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01 |
Explosions Polka, Op.43 |
Cincinnati Pops Orchestra |
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02:22 |
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02 |
In The Little Jelly Doughnut Woods Polka, Op.336 |
Cincinnati Pops Orchestra |
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03:39 |
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03 |
Champagne Polka, Op.211 |
Cincinnati Pops Orchestra |
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02:35 |
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04 |
Banditen Galop, Op.378 |
Cincinnati Pops Orchestra |
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02:46 |
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05 |
On The Beautiful Blue Danube Waltz, Op.314 |
Cincinnati Pops Orchestra |
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08:28 |
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06 |
Radetzky March, Op.228 |
Cincinnati Pops Orchestra |
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03:08 |
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07 |
Fire Festival Polka, Op.269 |
Cincinnati Pops Orchestra |
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02:40 |
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08 |
At The Hunt Polka, Op.373 |
Cincinnati Pops Orchestra |
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02:34 |
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09 |
Tales From The Vienna Woods Waltz, Op.325 |
Cincinnati Pops Orchestra |
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11:03 |
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10 |
Clear Polka, Op.45 |
Cincinnati Pops Orchestra |
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02:34 |
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11 |
Pizzicato Polka |
Cincinnati Pops Orchestra |
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02:36 |
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12 |
Thunder And Lightning Polka, Op.324 |
Cincinnati Pops Orchestra |
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03:42 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80098 |
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| Studio |
Music Hall, Cincinnati |
| Catalog |
CD-80098 |
| Packaging |
Jewel Case |
| Recording Date |
6/3/1984 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Johann Strauss (1825 - 1899) & Family |
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Credits
Art Direction – Ray Kirschensteiner
Composed By – Eduard Strauß (tracks: 10), Johann Strauss Jr. (tracks: 1 to 5, 8, 9, 11, 12), Johann Strauss Sr. (tracks: 6), Josef Strauss* (tracks: 7, 11)
Conductor – Erich Kunzel
Design – Alan Davis
Edited By – Ronald Whitaker
Engineer – Jack Renner
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods (2)
Producer [Assistance] – Elaine Martone
Notes
Track [5] also appears on "Time Warp."
Track [11] composed by Johann & Josef Strauss.
Total Playing Time: 47:59
*** Technical Information ***
Recorded in Music Hall, Cincinnati on June 2 & 3, 1984
Microphones: Schoeps Colette Series
Recorders: Soundstream Digital Tape Recorder; Sony Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530
Power Amplifier: Threshold Model A/500 Stasis
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.
