Dimitri Shostakovich (1906 - 1975) - Shostakovich Sympony No.5 and Stravinsky The Rite of Spring - [Bravo!]
Telarc  (1993)
Classical

In Collection
#1893

0*
CD    6 tracks  (80:30) 
   01   Shostakovich - Symphony No. 5: Moderato   Dmitri Shostakovich           17:59
   02   Shostakovich - Symphony No. 5: Allegretto   Dmitri Shostakovich           05:04
   03   Shostakovich - Symphony No. 5: Largo   Dmitri Shostakovich           14:29
   04   Shostakovich - Symphony No. 5: Allegro non troppo   Dmitri Shostakovich           09:23
   05   Stravinsky - The Rite of Spring: The Adoration of the Earth   Igor Stravinsky (1882 - 1971)           15:50
   06   Stravinsky - The Rite of Spring: The Sacrifice   Igor Stravinsky (1882 - 1971)           17:45
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-82001
Details
Catalog CD-82001
Packaging Jewel Case
Spars DDD
Sound Stereo
User Defined
Classification: TELARC BRAVO SERIES
Musicians
Composer/Artist Dimitri Shostakovich (1906 - 1975)
Notes
Credits

Art Direction – Anilda Carrasquillo
Composed By – Dmitri Shostakovich (tracks: 1 - 4), Igor Stravinsky (tracks: 5 and 6)
Conductor – Lorin Maazel
Design – Anilda Carrasquillo, Susan Cybulski
Edited By [Literary] – William C. Baxter
Engineer – Jack Renner
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Orchestra – The Cleveland Orchestra
Photography By – Tom Russo (4)
Producer [Assistant] – Ronald Whitaker
Producer [Recording] – Robert Woods (2)
Producer [Supervisor] – Elaine Martone


*** Technical Information ***

SHOTAKOVICH - Recorded in Masonic Auditorium, Cleveland, Ohio, April 5, 1981
STRAVINSKY - Recorded in Severance Hall, Cleveland, Ohio, May 14, 1980
Microphones: Shoeps Collete Series
Digital Recording Processor: Soundstream Digital Recorder
Console: Neotek, custom built
Monitor Speakers: SHOTAKOVICH - ADS Model 1530 (Bi-amplified)
STRAVINSKY - ADS Model BC-8/II (Bi-Amplified)
Power Amplifiers: Threshold Model 4000
Microphone & Interconnecting Cables: Audio-Technica
Digital Editing: Soundstream

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.