Claude Debussy (1862 - 1918) - La Mer & Prelude a l'apres-midi d'un faune & Danses
Telarc  (1983)
Classical

In Collection
#853

0*
CD    5 tracks  (44:59) 
   01   La Mer -- 1. De l'aube a midi sur la mer             09:00
   02   La Mer -- 2. Jeux des vagues             06:43
   03   La Mer -- 3. Dialogue du vent et de la mer             08:25
   04   Prelude a l'apres-midi d'un faune             10:46
   05   Danses Sacree Et Profane             10:05
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80071
Details
Studio Powell Symphony Hall, St. Louis, Missour
Catalog CD-80071
Packaging Jewel Case
Recording Date 1/23/1982
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Claude Debussy (1862 - 1918)
Notes
Companies, etc.

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Matsushita Electric Ind. Co., Ltd.

Credits

Art Direction – Ray Kirschensteiner
Composed By – Claude Debussy
Conductor – Leonard Slatkin
Cover – Hokusai*
Engineer – Jack Renner
Liner Notes – Marshall Burlingame
Orchestra – Saint Louis Symphony Orchestra
Producer – Robert Woods (2)
Producer [Assistance] – Elaine Martone

Notes
Early pressing made in Japan for the U.S. market by Matsushita Electric Ind. Co. LTD
No barcode
Cover: Japanese Print, HOKUSAI: "The Great Wave off Kanagawa"
The Metropolitan Museam of Art, The H.O. Havermeryer Collection.

Total Playing Time: 44:55

TECHNICAL INFORMATION

Recorded in Powell Symphony Hall, St. Louis on January 22 and 23, 1982
Microphones: Schoeps Model SKM-52U
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model 4000
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex by Esotech
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.