01	Overture						04:45
	02	1. When Maiden Loves (Phoebe)						03:30
	03	2. Tower Warders, Under orders...This The Autumn Of Our Life (People, Yeomen & Solo 2nd Yeomen)						03:49
	04	3. When Our Gallant Norman Foes (Dame Carruthers & Yeomen)						04:24
	05	4. Alas! I Waver To And Fro (Phoebe, Leonard & Meryll)						02:17
	06	5. Is Life A Boon? (Fairfax)						02:07
	07	6. Here's A Man Of Jollity (People, Elsie & Point)						01:19
	08	7. I Have A Song To Sing, O! (Elsie & Point)						03:46
	09	8. How Say You, Maiden (Elsie, Point & Lieutenant)						02:45
	10	9. I've Jibe And Joke, And Quip And Crank (Point)						01:54
	11	10. 'Tis Done, I Am A bride...Though Tear And Long-Drawn Sigh (Elsie)						03:29
	12	11. Were I Thy Bride (Phoebe)						01:55
	13	12. Oh, Seargeant Meryll, Is It True (Ensemble)						18:26

Companies, etc.

Record Company – Telarc International Corporation
Manufactured By – DADC, Terre Haute, Indiana – DIDX-033040
Manufactured By – DADC, Terre Haute, Indiana – DIDX-033053
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Recorded At – Brangwyn Hall, Swansea

Credits

Art Direction, Design [Cover] – Anilda Carrasquillo
Bassoon – Christopher Vale, Stephen Marsden
Cello – Alexandra Robinson, Andrew Elliott (5), Christopher Hodges (2), Dewi Watkins, John Cullis, Simon Davison (2)
Chorus – Chorus Of The Welsh National Opera*
Clarinet – Leslie Craven, Peter Fielding
Composed By – Gilbert & Sullivan
Conductor – Sir Charles Mackerras
Double Bass – John Law (9), Mary Condliffe, Mikeal Price, Peter Fry (2)
Edited By [Digital Editing] – Sonic Solutions (2)
Edited By [Editor] – Tony Bridge (2)
Engineer [Recording Engineer Assisted By] – Tony Faulkner
Engineer [Recording Engineer] – Jack Renner
Flute [Trial By Jury] – Christopher Green (6) (tracks: 2-11 to 2-25)
Flute [Yeoman Of The Guard] – Jonathan Burgess (tracks: 1-1 to 2-10)
Flute, Piccolo Flute – Katey Thomas
Horn – Angus West, Simon Morgan (3)
Illustration [Cover] – Hilary Knight
Liner Notes – Steven Ledbetter
Management [Orchestra Manager] – Peter Harrap
Oboe – Murray Johnston (3)
Orchestra – The Welsh National Opera Orchestra
Percussion – Jennifer Rutland
Producer [Recording Producer Assisted By] – Julian Smith (2)
Producer [Recording Producer] – James Mallinson
Supervised By [Production Supervisor] – Elaine Martone
Technician [Technical Assistance] – Martin Atkinson
Timpani – John Abendstern
Trombone – Aneuryn James, Daniel Hannaby, John Hendy (2)
Trumpet – Glenn Coleman (2), Martin McHale (2)
Viola – Cecily Rice, David Gribble, Domini Lipman, Geoffrey York, Hazel Shaw, Louise Brodrick, Margaret Lynch, Stephen Broadbent, Stephen Lloyd (3)
Violin [First] – Antony Tarlton, Carl Darby, Catherine Hings, Catherine Mathews (2), Christopher Clift, Jane Atkinson (2), Jean Bourgeois, John Stein (2), Peter Lilley, Robert Tonkin, Rolette de Montet, Ruth Bass, Susan Plessner
Violin [Second] – Alison Balfour-Paul, Ann Jones (7), Donald McNaught, Jane West (3), Jill Meredith-Hamer, Josephine Vos, Kyra Humpheys*, Lois Westcott, Luke Roskams, Olivia Gribble, Sybil Olive

Notes
2 x CD set in "fatboy" double jewel-case and with 68 page booklet containing photographs, performer biographies, credits, liner notes and lyrics.

2CD's Total Playing Time 2 hours, 1 minute, 21 seconds

℗© 1995 TELARC.

Manufactured by Digital Audio Disc Corporation, Terre Haute, Indiana under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.

Made in U.S.A.
Printed in U.S.A.

20-Bit Digital! This Compact Disc was produced from 20-Bit Digital masters made during the recording sessions.

Technical Information
Recorded in Brangwyn Hall, Swasea, Wales, April 18-30 and May 1, 1995
Microphones: Neumann M-50b (Vacuum tube) Schoeps MK-21, M221b, MK5 (tube)
On-Stage Microphone Preamplifiers: Creation Audio
Digital Recording Processor: DCS-900B 24-bit ADC
Microphone & Interconnecting Cables: Van del Hull LCFC & Carbon Fiber and Bryant LCOF Silver Cables
Monitor Speakers: B & W 801 Matrix 2
Power Amplifiers: Threshold S-1000 Stasis Monitored through Marantz CDA94 20-bit DAC
Digital Editing: Sonic Solution
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to Barbara Pease Renner for her assistance.