Franz Joseph Haydn (1732 - 1809) - Hayden: Symphonies No. 101 'The Clock' & No. 104 'London' - Mackerras - Orchestr
Telarc  (1992)
Classical

In Collection
#678

0*
CD    8 tracks  (55:41) 
   01   Adagio: Presto             08:12
   02   Andante             07:33
   03   Menuet: Allegretto: Trio             06:47
   04   Finale: Vivace             04:39
   05   Adagio: Allegro             08:45
   06   Andante             08:28
   07   Menuet: Allegro: Trio             04:42
   08   Finale: Spiritoso             06:35
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80311
Details
Studio American Academy of Arts and Letters, NYC
Catalog CD-80311
Packaging Jewel Case
Recording Date 3/9/1992
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Franz Joseph Haydn (1732 - 1809)
Notes
Companies, etc.

Manufactured By – Digital Audio Disc Corp.

Credits

Art Direction – Ray Kirschensteiner
Art Direction [Cover Design] – Anilda Carrasquillo
Composed By – Joseph Haydn
Conductor – Sir Charles Mackerras
Design [Cover Graphics] – Susan Cybulski
Edited By – Bruce Leek
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Orchestra – Orchestra Of St. Luke's
Producer – James Mallinson
Producer [Supervision] – Elaine Martone
Technician [Assistance] – Michael Bishop

Notes
Recorded at American Academy and Institute of Arts & Letters, New York City, March 7-9, 1992
Microphones: 2 Neumann M-50B (tube)
Console: Neotek, custom-built
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D custom engineered by Kenneth Hamann
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline
Monitor Speakers: B&W 801 Matrix 2
Monitored Throught Madrigal Audio Labs Proceed PDP-II D/A
Power Amplifier: Krell KSA-250
Exclusive Control Room & Performing Hall Acoustic Treatment: RPG Abffusor & Diffusors
Digital Editing: Sound Designer II by digidesign

During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any steps during production.