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01 |
I. Allegro, Molto Moderato |
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08:09 |
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02 |
Ii. Divertimento: Molto Vivo |
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08:18 |
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03 |
Iii. Molto Lento: Lento, Misterioso |
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11:11 |
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04 |
Iv. Toccata (Moto Perpetuo): Allegro Moderato |
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06:56 |
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05 |
Fantaisie In A |
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13:29 |
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06 |
Pastorale |
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08:22 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80096 |
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| Studio |
Davies Symphony Hall |
| Catalog |
CD-80096 |
| Packaging |
Jewel Case |
| Recording Date |
4/9/1984 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Joseph Jongen (1873 - 1953) |
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Companies, etc.
Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Digital Audio Disc Corp. – David Symphony Hall
Recorded At – Davies Symphony Hall
Credits
Art Direction – Ray Kirschensteiner
Composed By – César Franck (tracks: 5 & 6), Joseph Jongen (tracks: 1 to 4)
Conductor – Edo de Waart (tracks: 1 to 4)
Edited By – Elaine Martone
Engineer [Recording] – Jack Renner
Liner Notes – John Judson McGrody
Orchestra – The San Francisco Symphony Orchestra (tracks: 1 to 4)
Organ – Michael Murray (4)
Photography By [Cover] – Jane Lidz
Producer [Recording] – Robert Woods (2)
Notes
The premiere recording of the Ruffatti organ in Davies Symphony Hall.
Total Playing Time: 56:23
**** Technical Information ****
Recorded in Davies Symphony Hall, San Francisco on April 9, 1984
Microphones: B&K Model 40045
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model S/500 Stasis
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital masters.