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01 |
Haffner - I. Allegro maestoso - Allegro molto |
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06:59 |
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02 |
Haffner - II. Andante |
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09:49 |
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03 |
Haffner - III. Menuetto, Trio |
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03:40 |
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04 |
Haffner - IV. Rondo: Allegro |
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08:41 |
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05 |
Haffner - V. Menuetto galante; Trio |
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05:42 |
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06 |
Haffner - VI. Andante |
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08:12 |
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07 |
Haffner - VII. Menuetto; Trio I, Trio II |
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04:31 |
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08 |
Haffner - VIII. Adagio - Allegro assae |
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06:17 |
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09 |
Serenata notturna - I. Marcia: Maestoso |
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04:14 |
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10 |
Serenata notturna - II. Menuetto; Trio |
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03:42 |
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11 |
Serenata notturna - III. Rondo; Allegretto |
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04:19 |
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| Location |
Telarc Collection |
| Disc 1 |
: CD-80161 |
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| Studio |
Hall of Artists, Prague |
| Catalog |
CD-80161 |
| Packaging |
Jewel Case |
| Recording Date |
7/7/1984 |
| Spars |
DDD |
| Sound |
Stereo |
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| Classification: |
TELARC CLASSICAL |
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| Composer/Artist |
Wolfgang Amadeus Mozart (1756 - 1791) |
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Companies, etc.
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Manufactured By – Digital Audio Disc Corp.
Credits
Art Direction – Ray Kirschensteiner
Composed By – Wolfgang Amadeus Mozart
Conductor – Sir Charles Mackerras
Design – Alan Davis (7)
Double Bass – Svatopluk Vohanka (tracks: 9 to 11)
Edited By – Paul Zinman
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Liner Notes – William Malloch
Orchestra – Prague Chamber Orchestra
Producer – James Mallinson
Producer [Assistance] – Elaine Martone
Technician [Assistance] – Michael Hatch
Viola – Zdenĕk Zindel* (tracks: 9 to 11)
Violin – Milan Kohout (tracks: 9 to 11), Oldřich Vlček
Notes
Total Playing Time: 66:07
Cover Painting: Detail from "A Round Dance"
Nicolas Lancret, The Photo Source
*** Technical Information ***
Recorded in The Hall of Artists, Prague on July 1-7, 1984
Microphones: Three Sennheiser MKH-20
Digital Recording Processor: Sony PCM 1630
Console: Neotek, custom-built
Monitor Speakers: B&W 801F
Power Amplifier: Two Threshold Model S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Monster Cable Series I
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
