|
|
|
01 |
Symphony No. 36: Adagio; Allegro spiritoso |
Sir Charles Mackerras & London Symphony |
|
|
10:03 |
|
|
02 |
Symphony No. 36: Poco adagio |
Sir Charles Mackerras & London Symphony |
|
|
08:15 |
|
|
03 |
Symphony No. 36: Menuetto; Trio |
Sir Charles Mackerras & London Symphony |
|
|
03:15 |
|
|
04 |
Symphony No. 36: [Finale] Presto |
Sir Charles Mackerras & London Symphony |
|
|
10:13 |
|
|
05 |
Symphony No. 38: Adagio; Allegro |
Sir Charles Mackerras & London Symphony |
|
|
16:14 |
|
|
06 |
Symphony No. 38: Andante |
Sir Charles Mackerras & London Symphony |
|
|
10:52 |
|
|
07 |
Symphony No. 38: [Finale] Presto |
Sir Charles Mackerras & London Symphony |
|
|
07:21 |
|
| Location |
Telarc Collection |
| Disc 1 |
: CD-80148 |
|
| Studio |
Hall of Artists, Prague |
| Catalog |
CD-80148 |
| Packaging |
Jewel Case |
| Recording Date |
6/14/1986 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC CLASSICAL |
|
| Composer/Artist |
Wolfgang Amadeus Mozart (1756 - 1791) |
|
|
Companies, etc.
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Manufactured By – Digital Audio Disc Corp.
Recorded At – The Hall Of Artists
Credits
Art Direction – Ray Kirschensteiner
Composed By – Wolfgang Amadeus Mozart
Conductor – Sir Charles Mackerras
Edited By – Rosalind Ilett
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Graphics [Cover] – Nottingham-Spirk Design Associates, Inc.
Liner Notes – William Malloch
Orchestra – Prague Chamber Orchestra
Producer – James Mallinson
Producer [Assistance] – Elaine Martone
Technician [Assistant] – Michael Hatch
Notes
Technical Information
Recorded at the Hall of Artists, Prague on June 12-14, 1986
Microphones: Two B&K 4003
Recorder: Sony PCM 1610 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: B&W 801F Special
Power Amplifiers: 2 Threshold S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Hatachi LCOFC
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any time during production.
