Wolfgang Amadeus Mozart - Piano Concertos No. 21 & No. 27 - John O'Conor, Mackerras - Scottish Chamber
Telarc  (1990)
Classical

In Collection
#1198

0*
CD    6 tracks  (58:04) 
   01   Piano Concerto No. 21, K.467 (in C major, In C-dur, en ut majeur) - Allegro maestoso             14:05
   02   Andante             06:51
   03   Allegro vivace assai             06:32
   04   Piano Concerto No. 27, K.595 (In B-flat major, In B-dur , en si bemol majeur) - Allegro             14:12
   05   Larghetto             07:17
   06   Rondo; Allegro             09:07
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80219
Details
Studio City Hall, Glasgow, Scotland
Catalog CD-80219
Packaging Jewel Case
Recording Date 9/5/1989
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Wolfgang Amadeus Mozart (1756 - 1791)
Notes
Companies, etc.

Manufactured By – Digital Audio Disc Corp.
Recorded At – City Halls, Glasgow

Credits

Art Direction – Ray Kirschensteiner
Composed By – Wolfgang Amadeus Mozart
Conductor – Sir Charles Mackerras
Cover – Nottingham-Spirk Design Associates, Inc.
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Liner Notes [Englsih] – William Malloch
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Orchestra – Scottish Chamber Orchestra
Photography By – Clive Barda
Piano – John O'Conor
Producer – James Mallinson
Producer [Assistance] – Elaine Martone
Technician [Assistance] – John Olive, Thomas Knab, Tony Faulkner
Technician [Piano] – Barbara Pease

Notes
Hamburg Steinway Piano
Piano on Cover Photo provided by Steinway Hall / London

Total Playing Time: 58:07

**** Technical Information ****

Recorded in City Hall, Glasgow, Scotland, September 4-5, 1989
Microphones: Sennheiser Schoeps MK-41, MK-5
Digital Recording Processor: Data Conversion
Console: Neotek Systems Model DCS-900
Monitor Speakers: B&W 801 Matrix/II
Power Amplifiers: Two Threshold Model S/1000 Stasis
Microphone & Interconnecting Cables: Hitachi LCOFC
Digital Editing: Lexicon Opus

During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.