Maurice Ravel (1875 - 1937); Claude Debussy (1862 - 1918) - Debussy: Quartet In G Minor; Ravel: Quartet In F Major [Duplicate]
Telarc  (1988)
Classical

In Collection
#450

0*
CD    8 tracks  (54:25) 
   01   Debussy: Quartet In G Minor, Op. 10: Anime Et Tres Decide             06:22
   02   Debussy: Quartet In G Minor, Op. 10: Assez Vif Et Bien Rythme             03:52
   03   Debussy: Quartet In G Minor, Op. 10: Andantino Doucement Expressif             07:44
   04   Debussy: Quartet In G Minor, Op. 10: Tres Modere; Tres Mouvemente Et Avec Passion; Tres Anime             07:11
   05   Ravel: Quartet In F Major: Allegro Moderato             08:46
   06   II. Assez vif - Tres rythme             06:27
   07   III. Tres lent             09:06
   08   IV. Vif et agite             04:57
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80111
Details
Studio First Evangelical Lutheran Church, Lyons, New York
Catalog CD-80111
Packaging Jewel Case
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Maurice Ravel (1875 - 1937)
Notes
Companies, etc.

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Digital Audio Disc Corp.
Recorded At – First Lutheran Church, Lyons

Credits

Art Direction – Ray Kirschensteiner
Cello – Paul Katz (2)
Composed By – Claude Debussy (tracks: 1 to 4), Maurice Ravel (tracks: 5 to 8)
Edited By – Elaine Martone, Rosalind Ilett
Engineer – Marc J. Aubort
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes – Albert Rodewald
Painting [Cover] – Claude Monet
Producer – Joanna Nickrenz
Viola – Atar Arad
Violin – Donald Weilerstein, Peter Salaff

Notes
Total Playing Time: 54:21

**** Technical Information ****

Recorded at First Evangelical Lutheran Church, Lyons, New York
Microphones: Schoeps 221B
Recorders: Sony PCM F-1 Digital Tape Recorder; Sony PCM 1610 Digital Tape Recorder
Digital Editing: Sonay DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to John Proffit for local assistance.

Cover Painting: Detail from "Woman Seated under the Willows"; Claude Monet, National Gallery of Art, Washington; Chester Dale Collection