Telarc Omnidisc Disc I
	01	Side 1- Tone Arm / Cartridge Mechanical Alignment
	02	Side 2 - Test Signals
		Pink noise left channel - Channel Identification and Seperation
		Pink noise right channel - Channel Identification and Seperation
		L + R (In Phase) pink noise - Balance and Phase Check
		L + R (Out of phase) pink noise - Out of Phase Reference
		Left to right panned pink noise - Speaker Imaging
		Absoult phase test - Establish System Absoulate Phase
		Low frequency sine wave sweep - Tone Arm, Cartridge, and Room Referance
		Low frequency sine wave pulses - Tone Arm, Cartridge, and Room Referance
		Mixed tones - Tracking and Antiskating
		Slient band - System Nose Check
		1000Hz reference tone - Level and frequency Standards / CX alignment
		Full band pink noise - System and Room Frequency Response
		1/3 octave pink noise from 20k Hz - 20 Hz - Instrumentation Singnals for System and Room Equalization
Telarc Omnidisc Disc II
	01	Side 1 - Tracking Tests
		Beethoven: Symphony No. 5 in C Minor
		Orff: Carmina Burana
		Tchaikovsky: 1812 Overture
		Chopin: Tarantelle in A-Flat Major, Op. 43
		Stravinsky: Rite of Spring
	02	Side 2 - Imaging and Misic
		Britten: Fugue from Young Person's Guide to the Orchestra, Op. 34
		Good Vibrations (Papa Doo Run Run)

Background

The album was originally pressed and released in Japan in 1982, and comes as two records in a box set. It features audio test and calibration material, and was designed specifically for the alignment and calibration of a turntable and its cartridge.
The Telarc Records Omnidisc

The album is split across two records, which feature the following tracks:

Side One: Tone Arm/Cartridge Mechanical Alignment Disc
Side Two: Test Signals
Side Three: Tracking Tests
Side Four: Imaging and Music

Tracklist
Side 1: Tone Arm / Cartridge Mechanical Alignment Disc
A1 Disc Has A Mirrored Face (No Grooves) To Set Tracking and Anti-skating Force
Side 2: Test Signals
B1 Pink Noise Left Channel
B2 Pink Noise Right Channel
B3 L + R (In Phase) Pink Noise
B4 L + R (Out Of Phase) Pink Noise
B5 Left To Right Panned Pink Noise
B6 Swept Band Pink Noise
B7 Absolute Phase Test
B8 Low Frequency Sine Wave Sweep
B9 Low Frequency Sine Wave Pulses
B10 Approximately 1000 Hz Mixed Tones
B11 Silent Band
B12 1000 Hz Reference Tone
"Band 13" [B13-B43] Full Band Pink Noise -- 3 Minutes
B13 20 kHz ⅓ Octave Pink Noise
B14 16 kHz ⅓ Octave Pink Noise
B15 12.5 kHz ⅓ Octave Pink Noise
B16 10 kHz ⅓ Octave Pink Noise
B17 8 kHz ⅓ Octave Pink Noise
B18 6.3 kHz ⅓ Octave Pink Noise
B19 5 kHz ⅓ Octave Pink Noise
B20 4 kHz ⅓ Octave Pink Noise
B21 3.15 kHz ⅓ Octave Pink Noise
B22 2.5 kHz ⅓ Octave Pink Noise
B23 2 kHz ⅓ Octave Pink Noise
B24 1.6 kHz ⅓ Octave Pink Noise
B25 1.25 kHz ⅓ Octave Pink Noise
B26 1 kHz ⅓ Octave Pink Noise
B27 800 Hz ⅓ Octave Pink Noise
B28 630 Hz ⅓ Octave Pink Noise
B29 500 Hz ⅓ Octave Pink Noise
B30 400 Hz ⅓ Octave Pink Noise
B31 315 Hz ⅓ Octave Pink Noise
B32 250 Hz ⅓ Octave Pink Noise
B33 200 Hz ⅓ Octave Pink Noise
B34 160 Hz ⅓ Octave Pink Noise
B35 125 Hz ⅓ Octave Pink Noise
B36 100 Hz ⅓ Octave Pink Noise
B37 80 Hz ⅓ Octave Pink Noise
B38 63 Hz ⅓ Octave Pink Noise
B39 50 Hz ⅓ Octave Pink Noise
B40 40 Hz ⅓ Octave Pink Noise
B41 31.5 Hz ⅓ Octave Pink Noise
B42 25 Hz ⅓ Octave Pink Noise
B43 20 Hz ⅓ Octave Pink Noise
Side 3: Tracking Tests
C1 Beethoven: Symphony No. 5 -- Mid/High Frequency Tracking Test
C2 Orff: Carmina Burana -- Choral Tracking Test
C3 Tchaikovsky: "1812" Overture -- Low Frequency Tracking And Imaging Test
C4 Chopin: Tarantelle -- Piano "Transient" Test
C5 Stravinsky: The Rite Of Spring -- Low Frequency Tracking And Definition Test
Side 4: Imaging And Music
D1 Britten: Fugue From Young Person's Guide To Orchestra -- Imaging And Tracking Test
D2 Good Vibrations -- Tracking, Frequency And Dynamic Range Test
Credits

Engineer – Jack Renner
Producer – Robert Woods (2)