|
|
|
|
|
31:27 |
|
01 |
I. Adagio, Ma Non Troppo; Allegro Appassionato |
|
|
|
07:24 |
|
02 |
II. Molto Vivace |
|
|
|
06:19 |
|
03 |
III. Lento E Molto Cantabile |
|
|
|
08:22 |
|
04 |
IV. Allegro, Non Tanto |
|
|
|
09:22 |
|
|
|
|
24:47 |
|
05 |
I. Allegro Ma Non Troppo |
|
|
|
09:02 |
|
06 |
II. Lento |
|
|
|
07:01 |
|
07 |
III. Molto Vivace |
|
|
|
03:45 |
|
08 |
IV. Finale: Vivace Ma Non Troppo |
|
|
|
04:59 |
| Location |
Telarc Collection |
| Disc 1 |
: CD-80283 |
|
| Studio |
Mechanics Hall, Worcester, Massachusetts |
| Catalog |
CD-80283 |
| Packaging |
Jewel Case |
| Recording Date |
1991 |
| Spars |
DDD |
| Sound |
Stereo |
|
| Classification: |
TELARC CLASSICAL |
|
| Composer/Artist |
Antonin Dvorak (1841 - 1904) |
|
|
Companies, etc.
Manufactured By – Digital Audio Disc Corp.
Recorded At – Mechanics Hall, Worcester, MA
Credits
Art Direction – Anilda Carrasquillo, Ray Kirschensteiner
Cello – Paul Katz (2)
Composed By – Antonín Dvořák
Cover – Susan Cybulski
Edited By – Henk Kooistra, Judith Sherman
Engineer – Jack Renner
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Producer – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Technician [Assistance] – Brad Michael*, Henk Kooistra
Viola – James Dunham
Violin – Peter Salaff, William Preucil
Notes
Total Playing Time: 56:57
**** Technical Information ****
Recorded in Mechanics Hall, Worcester, Massachusetts, January 8-9, 1991 & May 16-17, 1991
Microphones: Schoeps M-221B Tube with MK-2L capsules
Console: Studer 961
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Microphone Cables: Monster Cable Prolink
Interconnecting Cables: Music Interface Technology (MIT) Proline
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold S/1000 Stasis; Class A/AB
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 3000
Har Disc Editing: digidesign Sound Designer II
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Joseph Chilorio, Mechanics Hall Audio Services
Cover Photo: Theodore Butler, "The Train", Oil on canvas
Coutesy Spanierman Gallery, New York