Antonin Dvorak (1841 - 1904) - Quartet Nos. 12 & 14
Telarc  (1991)
String Quartet

In Collection
#1236

0*
CD    8 tracks  (56:14) 
    Quartet No. 14 In A-flat Major, Op. 105             31:27
   01   I. Adagio, Ma Non Troppo; Allegro Appassionato             07:24
   02   II. Molto Vivace             06:19
   03   III. Lento E Molto Cantabile             08:22
   04   IV. Allegro, Non Tanto             09:22
    Quartet No. 12 In F Major, Op. 96 "American"             24:47
   05   I. Allegro Ma Non Troppo             09:02
   06   II. Lento             07:01
   07   III. Molto Vivace             03:45
   08   IV. Finale: Vivace Ma Non Troppo             04:59
Personal Details
Location Telarc Collection

Locator
Disc 1 : CD-80283
Details
Studio Mechanics Hall, Worcester, Massachusetts
Catalog CD-80283
Packaging Jewel Case
Recording Date 1991
Spars DDD
Sound Stereo
User Defined
Classification: TELARC CLASSICAL
Musicians
Composer/Artist Antonin Dvorak (1841 - 1904)
Notes
Companies, etc.

Manufactured By – Digital Audio Disc Corp.
Recorded At – Mechanics Hall, Worcester, MA

Credits

Art Direction – Anilda Carrasquillo, Ray Kirschensteiner
Cello – Paul Katz (2)
Composed By – Antonín Dvořák
Cover – Susan Cybulski
Edited By – Henk Kooistra, Judith Sherman
Engineer – Jack Renner
Ensemble – The Cleveland Quartet
Executive-Producer – Robert Woods (2)
Liner Notes [English] – Steven Ledbetter
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Producer – Judith Sherman
Supervised By [Production Supervisor] – Elaine Martone
Technician [Assistance] – Brad Michael*, Henk Kooistra
Viola – James Dunham
Violin – Peter Salaff, William Preucil

Notes
Total Playing Time: 56:57

**** Technical Information ****
Recorded in Mechanics Hall, Worcester, Massachusetts, January 8-9, 1991 & May 16-17, 1991
Microphones: Schoeps M-221B Tube with MK-2L capsules
Console: Studer 961
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Microphone Cables: Monster Cable Prolink
Interconnecting Cables: Music Interface Technology (MIT) Proline
Monitor Speakers: B&W 801 Matrix, Series II
Power Amplifiers: Threshold S/1000 Stasis; Class A/AB
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 3000
Har Disc Editing: digidesign Sound Designer II

During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

Special thanks to Joseph Chilorio, Mechanics Hall Audio Services

Cover Photo: Theodore Butler, "The Train", Oil on canvas
Coutesy Spanierman Gallery, New York