01	Adagio: Allegro						07:29
	02	Allegretto						05:00
	03	Menuet; Moderato						04:47
	04	Finale: Presto						05:05
	05	Adagio; Allegro Con Spirito						08:50
	06	Andante Piu Tosto Allegretto						09:32
	07	Menuet; Trio						05:15
	08	Finale: Allegro Con Spirito						05:13

Companies, etc.

Manufactured By – Digital Audio Disc Corp.
Recorded At – American Academy Of Arts And Letters

Credits

Art Direction – Ray Kirschensteiner
Composed By – Joseph Haydn
Conductor – Sir Charles Mackerras
Design [Cover] – Anilda Carrasquillo
Edited By – Everett Porter
Engineer – Jack Renner
Executive-Producer – Robert Woods (2)
Orchestra – Orchestra Of St. Luke's
Producer – James Mallinson
Producer [Supervisor] – Elaine Martone
Technician [Assistance] – Michael Bishop

Notes
Total Playing Time: 51:12

Recorded in American Academy and Institute of Arts and Letters, New York, NY, March 12-14, 1991

Microphones: Two Schoeps M221-B Tube with MK-21 capsules
Console: George Massenberg Labs Microphone Preamp into Ramsa 824B Console, custom engineered by John Windt
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technology Proline and MH-750 Shotgun Terminator
Monitored through Madrigal Audio Labs Proceed PDP-II D/A
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifiers: Threshold SA/12e Stasis Pure Class A
Exclusive Control Room Acoustic Treatment: RPG Diffusors & Abffusors
Digital Editing: Sony DAE 3000

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.