01	Gianni Schicci: O mio babbino caro	Cincinnati Pops Orchestra					02:09
	02	Tosca, Act I: Recondita armonia	Cincinnati Pops Orchestra					03:47
	03	Tosca, Act I: Perche chiuseo?-Qual occhio-Mia gelosa!	Cincinnati Pops Orchestra					07:46
	04	Tosca, Act I: Largo religioso sostenuto molto (Te Deum) finale	Cincinnati Pops Orchestra					04:52
	05	Tosca, Act II: Vissi d'arte, vissi d'amore	Cincinnati Pops Orchestra					03:07
	06	Tosca, Act II: E lucevan le stelle	Cincinnati Pops Orchestra					02:51
	07	Turandot, Act III: Nessun dormat	Cincinnati Pops Orchestra					03:12
	08	Madama Butterfly, Act I: Ancora un passo or via	Cincinnati Pops Orchestra					03:33
	09	Madama Butterfly, Act I: Vogliatemi bene	Cincinnati Pops Orchestra					07:58
	10	Madama Butterfly, Act II: Un bel di	Cincinnati Pops Orchestra					04:18
	11	Madama Butterfly, Act II: Humming Chor finale	Cincinnati Pops Orchestra					02:37
	12	Madama Butterfly, Act III: Orchestral Prld	Cincinnati Pops Orchestra					06:57
	13	Manon Lescaut, Act II: In quelle trine morbide	Cincinnati Pops Orchestra					02:04
	14	La Boheme, Act I: Che gelida manina,	Cincinnati Pops Orchestra					04:45
	15	La Boheme, Act I: Mi chiamano Mimi	Cincinnati Pops Orchestra					03:57
	16	La Boheme, Act I: O soave fanciulla	Cincinnati Pops Orchestra					01:51
	17	La Boheme, Act II: Quando me'n vo'	Cincinnati Pops Orchestra					02:27
	18	La Boheme, Act III: Speravo di trovarvi qui	Cincinnati Pops Orchestra					02:13
	19	La Boheme, Act IV: Sono andati?	Cincinnati Pops Orchestra					03:24

Companies, etc.

Record Company – BMG Direct Marketing, Inc. – D 101299

Credits

Art Direction – Ray Kirschensteiner
Composed By – Giacomo Puccini
Conductor – Erich Kunzel
Cover – Anilda Carrasquillo
Edited By – Erica Brenner
Engineer – Jack Renner
Illustration – John Maggard (2), Scott Hull Associates
Orchestra – Cincinnati Pops Orchestra
Orchestrated By – Crafton Beck, Erich Kunzel, Steven Bernstein
Producer – Robert Woods (2)
Supervised By – Elaine Martone
Technician [Assistance] – Michael Bishop

Notes
Total Playing Time: 73:48

*** Technical Information ***

Recorded in Music Hall, Cincinnati, Ohio on October 15, 1990
Microphones: Schoeps MK-2S, MK-3 & MK-41
Console: Ramsa 840B, custom engineered by Windt Audio
Digital Recording Processor: Ultra Analog 18-Bit, 128 times oversampling, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies (MIT) Proline
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifiers: Threshold SA-12e Stasis, Pure Class A
Monitoring: Madrigal Audio Labs, Proceed D/A
Exclusive Control Room Acoustic Treatment: RPT Abffusors & Diffusors
Digital Editing: Sony DAE 3000

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.

WARNING! DIGITAL CANNONS. The cannons on Track 4, "Largo religioso sostenuto molto (Te Deum) finale," are recorded at a very high level. Lower levels are recommended for initial playback until a safe level can be determined for your equipment.

Special thanks to Scott Burgess, Commercial Recording; and George Leggiero, Church of the Covenant.