01	No. 2 C minor Moderato						10:06
	02	No. 2 C minor Adagio sostenuto						11:23
	03	No. 2 C minor Allego scrherzando						11:03
	04	No. 3 D minor Allegro ma non tanto						15:47
	05	No. 3 D minor Intermezzo: Adagio						11:31
	06	No. 3 D Finale: Alla breve						13:30

Companies, etc.

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Manufactured By – Digital Audio Disc Corp.

Credits

Art Direction – Ray Kirschensteiner
Composed By – Sergie Rachmaninoff*
Conductor – Lorin Maazel
Cover [Graphics] – Nottingham-Spirk Design, Inc.*
Edited By – Rosalind Ilett
Engineer [Recording] – Jack Renner
Liner Notes [English] – Richard E. Rodda
Liner Notes [French] – Patricia Dussaux
Liner Notes [German] – Gila Fox
Orchestra – Pittsburgh Symphony Orchestra*
Piano – Horacio Gutiérrez
Producer [Recording] – Robert Woods (2)
Supervised By – Elaine Martone
Technician [Assistance] – Michael Bishop, Thomas Knab

Notes
Steinway Piano

Total Playing Time: 73:11

TECHNICAL INFORMATION
Recorded in Heinz Hall, Pittsburgh, PA, October 1, 1990 and May 7, 1991
Microphones: Schoeps M221-B / MK-21 Tube, B&K 4006
Console: Ramsa 8 ADS, custom engineered by Windt Audio
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Monitored through Madrigal Audio Labs Proceed PDP-II D/A
Monitor Speakers: Waveform Mach 7 Bi-Amplified
Power Amplifiers: Threshold SA/12e & SA/4e Stasis; Pure Class A

The entire signal path from microphones to digital processor utilized the latest cable technology from Monster Cable, including M1000, M[Sigma]2, Series I Prolink and Series III Prolink bandwidth balanced
Exclusive Control Room Acoustic Treatment: RPG Abffusors & Diffusors
Digital Editing: Sony DAE 3000

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, equalization) at any step during production.